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                <text>Ungarische Volkslieder: Das Lied der Volker</text>
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&#13;
According to Barbara Lange in The Power of Discountinuity in Hungary Gypsy Nóta, “magyar nóta is a type of nineteenth century Hungarian popular song (Lange, 519).” This suggests that the songs within this book are not specifically from a gypsy or Roma origin, but instead stem from this traditional Hungarian music. However, it is possible that various Roma groups throughout Hungary could have sung any number of these songs in some context. &#13;
&#13;
It is also interesting to note that the composer or compiler of these 100 songs, Demény, does not come up in any research, save for when he is mentioned as a student of Victor von Herzfeld (Pfitzinger, 237). Herzfeld was a violinist and composer that studied in both Vienna and Berlin before moving to Budapest to become a professor of music theory and composition at the Franz Liszt Academy of Music (Csando). It is here that one can assume he became the mentor of Desiderius Demêny, who would later come to compile this work. &#13;
&#13;
&#13;
&#13;
Csando , Mária. “Herzfeld Viktor.” Zeneakadémia , Franz Liszt Music Academy , lfze.hu/hu/nagy-elodok/-/asset_publisher/HVHn5fqOrfp7/content/herzfeld-viktor/10192;jsessionid=16646DCD8A62A701C17DE93AE9B37902.&#13;
&#13;
Lange, Barbara Rose. “‘What Was That Conquering Magic...": The Power of Discontinuity in Hungarian Gypsy Nota.” Ethnomusicology, vol. 41, no. 3, 1997, pp. 517–537., doi:10.2307/852762.&#13;
&#13;
Pfitzinger, Scott. “Composer Genealogies: a Compendium of Composers, Their Teachers, and Their Students.” Composer Genealogies: a Compendium of Composers, Their Teachers, and Their Students, Rowman &amp; Littlefield, 2017, p. 237.</text>
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                <text>English translation (except #13) by Nicholas Lany</text>
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                <text>Contents: &#13;
There's but one girl – Szentrimay E.&#13;
Ever'y little maiden – Népdal- Folksong- Volkslied&#13;
Leaves are falling – Rácz P.&#13;
Oh my heart – Balázs Ā.- Antal I.&#13;
When I look in your eyes –Dankō P. – Álgyai G.&#13;
Oh, they've robbed me – Vajda J. Marthon G.&#13;
Do You want to have a good time -- Népdal- Folksong- Volkslied (Arrangement by Huber Sándor)&#13;
Old almond tree – Dóczy J.&#13;
Stars are shining brighter – Nádor J.&#13;
Sweetheart, darling – Kartész Zs. L. – Kubányi Gy.&#13;
Maids grow to be women – Erõss B.&#13;
Where the winding waters – Fráter L. Csillay K. &#13;
Roses of Whitsuntide – Vitéz Kókay I.&#13;
There's my pup –Szentimiklóssy- Bankó I&#13;
I have sent you dearest – László I- Takáts S.&#13;
If your soul is sick—Murgács K.</text>
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                <text>A Bouquet of Hungarian Songs is a selection of Hungarian folk music compiled into a book of musical scores. The collection is 20 pages long with 16 traditional songs from various artists, including the sheet music as well as English, Hungarian, and German translations. The work can also be found under the other titles: Ungarischer Liederstrauss mit ungarischen, deutschen und englischen worten Magyar Nótacsokor. A Bouquet of Hungarian Songs was published under joint copy right to Bárd Ferenc És Fia &amp; Nádor Kálmán in 1939 Budapest, Hungary. 1939 marks the start of the deadliest conflict in human history, World War II. During World War II Hungary was a member of the Axis Powers and suffered a large number of solider and civilian deaths. This was also a period there both Jews and Roma people faced discrimination and later deportation/ extermination throughout Hungary and much of Eastern Europe. The publication of “A Bouquet of Hungarian Songs” during this time shows that while Roma people faced extreme racism, their culture and music was still widely enjoyed and consumed by the same groups they faced discrimination from. &#13;
&#13;
Works Cited:&#13;
&#13;
“A Bouquet of Hungarian Songs with English, Hungarian and &#13;
         German Words = Magyar Nótacsokor = Ungarischer &#13;
         Liederstrauss Mit Ungarischen, Deutschen Und &#13;
         Englischen Worten.” Find in a Library with WorldCat, &#13;
         WorldCat, 3 Sept. 2017, &#13;
&#13;
Silverman, Carol. “Part III: Music, States, and Markets .” Romani &#13;
         Routes: Cultural Politics and Balkan Music in Diaspora, &#13;
         Oxford University Press, 2014, pp. 127–177.&#13;
&#13;
Taylor, Becky. Another Darkness, another Dawn: A History of &#13;
        Gypsies, Roma and Travellers. Reaktion Books, London, &#13;
         England, 2014.&#13;
&#13;
1 score, 20 Pages, 31 cm</text>
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                <text>various artists&#13;
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                <text>énekhangra, zongorakîséttel (Hungarian)&#13;
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[Oh, how beautifully the violins play]</text>
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              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="874">
                <text>Hungarian Songs, Az Én Nótáim</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="875">
                <text>Print</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
