1 25 47 https://astoriedpeople.oberlincollegelibrary.org/files/original/190222a2108f1f509c39335b0808e6a6.jpg fbf455124ff1e953d187c6c0711e25a2 https://astoriedpeople.oberlincollegelibrary.org/files/original/dc1f2eb6fb1b90eb1d99db017c08accd.jpg 32ff8def83ddb608c963eec2da82ebb7 https://astoriedpeople.oberlincollegelibrary.org/files/original/af1d589eaef27e01c3861270f20d25f2.jpg 6068abfc08f8cbdeeaddcba1bb51edbc https://astoriedpeople.oberlincollegelibrary.org/files/original/638e5f6dc94f7ca9792a6ded57b016f7.jpg ab43305ff2ecec5197e0f6679b9fb35b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recordings Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Phyllis Jones Creator An entity primarily responsible for making the resource Kalmár, Pál Bura, Sándor László, Imre Berkes, Béla, 1888-1950 Date A point or period of time associated with an event in the lifecycle of the resource 1968 Description An account of the resource Csárdáses, love songs, and folk tunes performed by popular singers and authentic gypsy orchestras Format The file format, physical medium, or dimensions of the resource 12" vinyl disc Identifier An unambiguous reference to the resource within a given context CSC_GBA_01 Capitol Records DT-10085 https://storiedpeople.oberlincollegelibrary.org/items/show/35 https://storiedpeople.oberlincollegelibrary.org/files/original/2fc074afe44c19f515754159a17ff39a.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/b1ee56c9a653bcc90d943eab0f480ffb.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/e1856b9561686bf5342baf04666926dc.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/2c12ac7663d9f0d53591c0df3c27e6cf.jpg Language A language of the resource Hungarian English Publisher An entity responsible for making the resource available Capitol Records Subject The topic of the resource Folk music Hungary Romanies Music Czardas Title A name given to the resource The Music of Hungary Type The nature or genre of the resource LP https://astoriedpeople.oberlincollegelibrary.org/files/original/1a0af63f0491d9ada06136aa9e05920b.JPG 02576499e05fb2433d64bbaacfafab94 https://astoriedpeople.oberlincollegelibrary.org/files/original/c48b331798e2b7a2cbfe3faa78a29238.JPG acab4f395d96859d0d478b187c73f3a5 https://astoriedpeople.oberlincollegelibrary.org/files/original/99b2b5c6b1eaa742a7faa6309cb36d8c.jpg 64aa1513ff813ce4b1d0764e49e74cbf https://astoriedpeople.oberlincollegelibrary.org/files/original/a5cee2577d0f9ec791888044e799f9c5.JPG 39a4c601f94e454e9ec795f479958bc6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recordings Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Francesca Scola Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Weddings, celebrations Creator An entity primarily responsible for making the resource Continental Gypsy Strings Date A point or period of time associated with an event in the lifecycle of the resource ℗1994 Recorded June 8, 1993 in Glenshaw, Pa. and Sept. 28, 1993 in Homestead, Pa. Description An account of the resource Side 1: medleys and dance tunes from Eastern European weddings and celebrations Side 2: Traditional Hungarian melodies, founded in Hungarian-American community. Format The file format, physical medium, or dimensions of the resource Cassette tape, 2 sided Identifier An unambiguous reference to the resource within a given context CSC_GBA_24 OTP-943 https://storiedpeople.oberlincollegelibrary.org/items/show/12 https://storiedpeople.oberlincollegelibrary.org/files/original/e0e058f77c908bbdfb426d42fb120bfd.JPG https://storiedpeople.oberlincollegelibrary.org/files/original/a1367c58ba2c4215b84ec47dfd44db6b.JPG https://storiedpeople.oberlincollegelibrary.org/files/original/3cd3fa69b20480071f1dbc88f4cf08b3.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/7a44b22719f7824c9c18f0d37478b9aa.JPG Language A language of the resource Hungarian Other Eastern European languages Publisher An entity responsible for making the resource available On Tour Productions Rights Information about rights held in and over the resource 1994 On Tour Productions, unauthorized broadcasting or distribution prohibited. "This recording was produced as part of On Tour Productions, a series of cassette tapes featuring traditional and ethnic performing groups in Pennsylvania." Subject The topic of the resource Romanies Pennsylvania Music Title A name given to the resource The Lark Type The nature or genre of the resource Cassette Relation A related resource <a href="https://astoriedpeople.oberlincollegelibrary.org/items/show/33">Jerry Grcevich Interview</a><br /><a href="https://astoriedpeople.oberlincollegelibrary.org/items/show/37">George Batyi Interview</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Related Resources and Donations Subject The topic of the resource Romani Music Description An account of the resource Monographs and edited volumes of relevance to materials in the Batyi Collection Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Gypsy Caravan: From Real Roma to Imaginary Gypsies in Western Music and Film Subject The topic of the resource Romanies Music Description An account of the resource Monograph on Roma musicians and their influence on and appropriations in film and Western classical music traditions Creator An entity primarily responsible for making the resource David Malvinni Source A related resource from which the described resource is derived obis.oberlin.edu/record=b2328359~S4 Publisher An entity responsible for making the resource available Routledge Date A point or period of time associated with an event in the lifecycle of the resource 2004 Rights Information about rights held in and over the resource © David Malvinni Format The file format, physical medium, or dimensions of the resource Softbound book; xiv, 270 p. : ill. ; 24 cm Language A language of the resource English Identifier An unambiguous reference to the resource within a given context ML3545 .M24 2004 (Oberlin Library Call Number) https://astoriedpeople.oberlincollegelibrary.org/files/original/0963413b96b94b2bb66e95b991b55097.jpg 4b3c17bc8baf2869ed30842909dc8159 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recordings Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Rae Friedman Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Gypsy music performed by professional gypsy music performer, Lendvay Kalman Creator An entity primarily responsible for making the resource Lendvay Kalman, violin, and his Gypsy Band ; with Georg Littasy, vocals Date A point or period of time associated with an event in the lifecycle of the resource 1958 Format The file format, physical medium, or dimensions of the resource Double-Sided LP (12 inch square cover), 7 songs on each side, recorded in monophonic sound 12" vinyl disc Identifier An unambiguous reference to the resource within a given context CSC_GBA_10 WP 6075 https://storiedpeople.oberlincollegelibrary.org/items/show/15 https://storiedpeople.oberlincollegelibrary.org/files/original/d25d18b05ee60f85e5db893610bf3fc2.jpg Language A language of the resource Hungarian Publisher An entity responsible for making the resource available Westminister Recording Sales Corporation, NY Rights Information about rights held in and over the resource Unauthorized public performance, Broadcasting and copying prohibited Source A related resource from which the described resource is derived Westminister Recording Company Subject The topic of the resource Romanies Music Folk music Hungary Folk songs, Hungarian Title A name given to the resource Tears of a gypsy Type The nature or genre of the resource LP https://astoriedpeople.oberlincollegelibrary.org/files/original/f3652053ff00f962dd60bc5e9ed41afa.jpg c47b6099b471519f78e1ca113af30ddb https://astoriedpeople.oberlincollegelibrary.org/files/original/510045351f33dbadb39f47c6933439e1.jpg c9f4bbd30db069a9ef77bdd0f3980e5e https://astoriedpeople.oberlincollegelibrary.org/files/original/6d876badd3e90fe2debcc8e9cbaddfcb.jpg 7885bce7ac0ad5a6a69d5b686f42899a https://astoriedpeople.oberlincollegelibrary.org/files/original/be67d2ac9a780c3de4a8ed2cf8f2177b.jpg c47b6099b471519f78e1ca113af30ddb https://astoriedpeople.oberlincollegelibrary.org/files/original/b674ef841e7d921fe8e35f51b8ef906e.jpg c9f4bbd30db069a9ef77bdd0f3980e5e https://astoriedpeople.oberlincollegelibrary.org/files/original/3abed85f06525d08636e4feed7770c45.jpg 7885bce7ac0ad5a6a69d5b686f42899a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recordings Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Alex Freundlich Creator An entity primarily responsible for making the resource Dóczy, József (Composer); Imre, Palló (Vocalist); István, Csongor (Vocalist); Sári, Vörös; Lászlo, Szalai (Vocalist); Károly, Solti (Vocalits); Toki Horváth, Gyula (Band leader); Bura, Sándor (Band leader); Lakatos, Sándor (Band leader); Oláh, Kálmán (Band leader); Koczé, Gyula (Band leader) Date A point or period of time associated with an event in the lifecycle of the resource 1977 Description An account of the resource A 1977 LP of various Hungarian Folk compositions by József Dóczy interpreted by several musicians and vocalists. As Benjamin Rajeczky writes in his 1960 article Old and New Singing Styles in Hungarian Folk Song from the Journal of the International Folk Music Council Vol. 12, due to “the difference between the old and new styles of his native folk song, the Hungarian folklorist... is confronted with the problem of changes in the manner of performance.” One should extend this problem to non-Hungarian folklorists and ethnomusicologists if they are to truly understand the nuances of Hungarian Folk. Rajeczky uses the composer Kodály as a guide to one summation of the changes that occur when examining old Hungarian folk musicas contrasted with new. It should be kept in mind that exceptions always arise. Rajeczky declares the Kodály conclusion as follows: “The old manner... is richly ornamented and has several registers; the new is simpler, but with one register.” This particular example of collected performances interpreting compositions by József Dóczy, who lived from 1863 to 1913, confronts us with the issue of old versus new. The songs as they exist on record are from 1970. They were, however, originally composed before 1913. Can one use this record to analyze the shift from old to new in Hungarian folk? Does it further complicate these distinctions? This record serves as a reference point with which to tackle such questions. Rajeczky, Benjamin. Journal of the International Folk Music Council Vol. 12 (1960), pp. 56-61 Format The file format, physical medium, or dimensions of the resource Vinyl record 12'' with original sleeve and label Identifier An unambiguous reference to the resource within a given context CSC_GBA_20 SLPX10088 https://storiedpeople.oberlincollegelibrary.org/items/show/2 https://storiedpeople.oberlincollegelibrary.org/files/original/176bbe425004341f7d2978428208fac0.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/47f0ea84bc01e91fea315abcb99ef7d2.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/9105e8f955d73b8ce768fe82103a1434.jpg Language A language of the resource Hungarian English Publisher An entity responsible for making the resource available Qualiton, SLPX ID088 Rights Information about rights held in and over the resource Qualiton Source A related resource from which the described resource is derived Hungary Subject The topic of the resource Hungarian Folk Music Title A name given to the resource Szépen Szól A Nóta [Hungarian Folk Songs] LP Type The nature or genre of the resource LP https://astoriedpeople.oberlincollegelibrary.org/files/original/8052c5e483ec31e3260686b835e1a364.JPG 4218a307962805d53109095e43f4c069 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Steve Piskor Description An account of the resource Photograph of Steve Piskor, author of 'Gypsy Violins' Creator An entity primarily responsible for making the resource Photography by Ian MacMillen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral History Interviews Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Ian MacMillen and class Interviewee The person(s) being interviewed Steve Piskor OHMS Object This field contains the OHMS Hyperlink (link to the XML file within the OHMS viewer) https://oberlincollegelibrary.org/ohms-viewer/render.php?cachefile=Oberlin_College_IMC09.xml Interview Keyword The fields adds keywords to the Omeka Oral History Item Type. Steve Piskor, Roma, Gypsy, Oberlin, Cleveland OHMS Object Text This field contains the OHMS Index and / or transcript and is what makes the contents of the OHMS object searchable in Omeka 5.2 Steve Piskor 2nd interview Oberlin College IMC09 43:07 Ian MacMillen and class Oral History in the Liberal Arts A Storied People A Storied People Oberlin College Library Romanies -- United States Steve Piskor, Roma, Gypsy, Oberlin, Cleveland Steve Piskor Ian MacMillen and class Audio 0 SoundCloud audio &lt ; iframe width=&quot ; 100%&quot ; height=&quot ; 300&quot ; scrolling=&quot ; no&quot ; frameborder=&quot ; no&quot ; allow=&quot ; autoplay&quot ; src=&quot ; https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/593061576&amp ; color=%23ff5500&amp ; auto_play=true&amp ; hide_related=false&amp ; show_comments=true&amp ; show_user=true&amp ; show_reposts=false&amp ; show_teaser=true&amp ; visual=true&quot ; &gt ; &lt ; /iframe&gt ; English audio 0 https://oberlincollegelibrary.org/ohms-viewer/render.php?cachefile= Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Steve Piskor 2nd interview Identifier An unambiguous reference to the resource within a given context OberlinCollegeIMC09 Subject The topic of the resource Romanies -- United States Format The file format, physical medium, or dimensions of the resource audio https://astoriedpeople.oberlincollegelibrary.org/files/original/4d33e517cfddf8187f19f8b16b44770a.JPG 4218a307962805d53109095e43f4c069 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Steve Piskor Description An account of the resource Photograph of Steve Piskor, author of 'Gypsy Violins' Creator An entity primarily responsible for making the resource Photography by Ian MacMillen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral History Interviews Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Gabrielle Ment, Helen Stern, and 'Roma, "Gypsies," Travelers' class Interviewee The person(s) being interviewed Steve Piskor OHMS Object This field contains the OHMS Hyperlink (link to the XML file within the OHMS viewer) https://oberlincollegelibrary.org/ohms-viewer/render.php?cachefile=Oberlin_College_IMC08.xml OHMS Object Text This field contains the OHMS Index and / or transcript and is what makes the contents of the OHMS object searchable in Omeka 5.2 Steve Piskor 1st interview Oberlin College IMC08 Ian MacMillen and Class Oral History in the Liberal Arts A Storied People A Storied People Oberlin College Library Steve Piskor Gabrielle Ment, Helen Stern, and 'Roma, "Gypsies," Travelers' class 0 http://ohla.info/wp-content/uploads/2017/11/Steve-Piskor-Oct.-13-2017-interview.mp3 Other audio 46 Introduction My name is Steve Piskor and I am the author Gypsy Violins Hungarian-Slovak Gypsies in America. author ; gypsy ; gypsy violin ; hungarian ; introduction ; steve piskor ; violin Piskor, Steve ; Violin 17 72 childhood and background transcript Elia: My name is Elia Tzoukermann and I would love to know what kind of role music played in your childhood. Steve: In my house we had music playing just about everyday and so my father was a musician and everybody in my family was a musician. My brother was a musician. So I was constantly practicing and playing, listening to music. A sunday was like a day for, it was the same day for every gypsy that was from Cleveland or from Chicago or Detroit. Sunday mornings, you would get up in the morning, your mother would be cooking stuffed cabbage and chicken and potato salad and chicken soup and your father would be the hungarian waiter and he would be listening to the hungarian gypsy music and then start practicing and then at some point in the morning they'd go to church. Not everybody was (pause), not everyone went to church. and that was basically the sunday for everybody that was in this book and everybody did the same thing. That goes back for i don't know how long. [00:02:56] Peri: Hi I'm Peri Levin, I was wondering, could you talk a little bit about your parents and their experiences growing up and how that may have informed your childhood. Like were they always in the midwest? Like where your parents are from and that kind of thing. [00:03:16] Piskor: My mother was born in Cleveland Ohio and her mother was born in Cleveland Ohio too. My father was born in Pittsburgh, but his mother was actually born in Cleveland. But my father and mother met in a small town outside of Pittsburgh, if you know where Kennywood park is out in Pittsburgh, it's right across the road from Kennywood park, it's called a small town called Braddock Pennsylvania. And at that time, Braddock Pennsylvania had the largest settlement of hungarian-slovak gypsies in the country, in the United States. History books reflect that too. What they did, was in the early days they actually bought all the houses and it was sorta forming a square which they referred to at the yard because in the middle was a big yard for all the kids to play in. But I mean they met there and eventually my mother didn't like staying in Pittsburgh while all of her family was in Cleveland and she didn't like my father working in the steel mills so they moved back to Cleveland and he started playing music with one of my mother's relatives. But they weren't playing gypsy, music they were playing latin music. So he played Latin music for about 30 years with the slam band. They became a really famous band in Cleveland. After that, he came back to playing gypsy music and starting playing with the Hungarian band here in Cleveland. He passed away in 1986. My mother and father they weren't anything different or out of the ordinary. My father was strict. You know, you had to go to school. He was also strict about being a musician. He pushed us to be musicians. I went for lessons and playing in town when I was only about 10 years old. That usually about how old they start them. My brother was starting earlier than that. He actually had a band here in the Cleveland area, in this area too. And they played for a good 30 years. They would get selected to play at the Holiday Inn. It was a big circle. And they would tour and travel around to all the big derbies. For them at that time it was really good and because they were getting good money compared to just playing in a local bar. I mean they were playing in one of biggest places that was out at that time for people to go to. Yeah my mother and father were nothing different. My mother and father, they had a relationship that was kind of strange. My mother would go to work in the morning around 6 o'clock in the morning and she worked in a hospital and she would get back at home before we got out of school. So by about 2 o'clock she was done working and she was home. Now my father went to play at about 6o'clock in the evening and he played until 2 o'clock in the morning. She he would get us up for school at and that’s probably why he pushed us to go to school because he didn't want us home. He says he sent us to school and it kind of worked out that way and he worked good for them. I mean, I don't know anything different. I mean I grew up in a projects, on west 25th street and at that time when I grew up it was really mixed. I mean it wasn't just, I mean eventually it became all black but it was just all black when it just opened up, it was really mixed. It was every race was in it. It was a big project. There was a hundred of us kids playing in this big open field and it was all the way from bridge avenue and the way to frankland avenue. So we got to know a lot, all the people there. I mean we grew up with them, went to school with them. And like they I said, there weren’t much different from us either. [00:08:00] affordable housing ; affordable housing projects ; childhood ; cleveland gypsies ; culture ; family ; father ; gypsy ; mother ; muisc ; parents ; projects ; religion ; school ; tradition ; upbringing International Folk Music Council. Romanian National Committee ; Romanies--Music 17 77 Early Childhood That was basically the Sunday for everybody that was in this book and everybody did the same thing. That goes back for I don’t know how long. It's an old tradition. Piskor talks about his childhood and the strong Hungarian gypsies traditions that he grew up living. Piskor has an undertone of nostalgia as he talks about his traditions and how his culture. It is very apparent how important gypsy music is to him. Growing up in the projects in Cleveland he describes the change that took place from a more diverse group of people to majority African American people living in his neighborhood. childhood ; expressive culture ; gypsy ; muscians ; sunday traditions ; traditions Childhood ; Culture 17 298 His Parents My mother and father they weren't anything different or out of the ordinary. My father was strict. You know, you had to go to school. He was also strict about being a musician. He pushed us to be musicians. I went for lessons and playing in town when I was only about 10 years old. That usually about how old they start them. My brother was starting earlier than that Piskor describes how ordinary his parents are for him. Piskor describes how hard his parent’s works. His mom would worked long nursing shifts and dad working two jobs. He also expresses how dedicated his father is to music and how his father pushed him and his siblings to start music young. He also talks about always being interested in his ancestry ; in large part because of how important his culture is to him that he feels is being lost in the younger generation especially in the United States. assimilation ; culture ; family pressures ; home life ; ordinary ; parent sacrifices ; parents ; school ; siblings ; work Culture ; Project &quot ; The Assimilation of New Media in the Instructional Program of a Rural School&quot ; 17 669 Genealogical Research for his Family and Culture When I did research I did it on everybody, not just my family.... going further back into Europe it gets more complicated but you have more grandparents. He talks about how everyone is related each other nice you get deep enough into ancestry and geological research Talking about arranged &quot ; back then, they married strictly into each other. Back in the olden days, there were put together marriages. But that didn't work my generation and before me, they were like 10 years older and that didn't work for them growing up because they didn't stand for that, wanted who they picked out and wouldn't let anyone pick.... my grandparents...had fixed, put together marriages and a lot of them were related somehow.... you can't keep intermarriage going without somehow being related to each other.&quot ; Piskor talks about marriage as one of the reasons he feels his culture is being lost. All marriages used to be within the culture but since arranged marriages have become outdated in the United States, many people in his culture marry outsiders who then dilutes the culture and traditions are lost. Piskor has a nostalgic tone to how he talks about the olden days when his culture was more celebrated and more closely bound. The saddest part for Piskor seems to be the loss of traditional gypsy musicians. ancestry ; culture ; europe ; family ; family lineage ; family relations ; genealogical reserach ; genealogy ; lineage ; relatives ; research Culture ; Genealogy 17 948 Culture Being lost with Younger Generation Today it's different, the young kids they don't even want it, they don't even want to keep the language, they don't want nothing to do with it. And right now it’s totally lost... The band that is coming (to Oberlin)...are the last 4 musicians. Piskor explains how the younger generation has been &quot ; Americanized&quot ; and thus want nothing to do with they gypsy roots. As results, the traditional gypsy music, language and culture is being lost. The kids still are very talented musicians because that is in their blood but they are more likely to play jazz or other music that is not Hungarian gypsy. Piskor expresses how George Batyi's band is the last traditional band that. He says that they are getting old and have no one to pass it down to, thus a big part of his culture is going to be completely lost. Piskor has a sad and cynical perspective of the projection of his culture. He talks about how this is a global issue with the younger generation. In Hungary and other countries with Gypsies, they are experiencing the same issues as in the US. His concluding note on this section is that everything is always changing for better or worse and sometimes parts are lost along the way. Budapest ; cultural assimilation ; cultural lost ; generational changes ; inner marriage ; language ; loss of tradition ; marriage ; resistance to change ; white washing ; younger generation Romanies ; Romanies -- United States -- Social Life and Customs 17 1357 Balancing Music Playing with Having a Job I was determined to graduate high school at least graduate high school. and I did and I coulda went to college I even refused a scholarship because when I finished high school I said Im done with school I didn't want to go back to school no more you know so I actually as soon as I got out of school I went to work and I was still fooling with music playing... people that were my age playing music... I was making more than they were making ... I couldn't balance that out in my head. Piskor goes into more detail about his own life choices and why he made them. He explains that having a career in in his youth made more sense than dedicating his life to music since his job would give him benefits, more money, and a more stable existence. He mentions that his father balanced working by day and playing by night. He would get six hours of sleep every night. His mother was a stay at home mother when the kids were young and then went back to work once school started. So Piskor’s family worked hard to keep music in their lives but it was not achievable to have that be sole source of income in the house. He says there was no pressure from anyone to follow a certain path in his life. As opposed to “back in the days” when one was expected to play hungarian music full time. An example of this that he brought up was the band, Gypsy Strings, coming to play that week. To Piskor, these men are the last who can properly play authentic hungarian folk music. art ; career ; cultural pressure ; full time musicians ; job sacrifices ; men in music ; music ; musicians ; outside pressure ; side jobs ; work Career advantage. Section 2, Career and educational exploration ; Musicians 17 1572 Difference between his and his siblings’ perspective My brothers and sister tell that you know that I’m too stuck into this... and I have been that way all my life. I was only... 15 16 yrs old and going into bars to listen to them play. Now they wouldn't let me drink at a bar they wouldn’t even usually let me in. But when my uncle or somebody was playing in a band they told me no no no, no worries it’s okay just let him sit over here. And I’d go sit next them by the stage, you know, and order a pop or something… I sit there for a couple hours… up until today I still do it. Piskor explains where his love of music stems from and how in love with traditional bands he was, even as a child. He contrasts this with his brother “the musical brother”. He comments on how he never plays gypsy music. Its all modern and americanized now. Even his father played non-traditional music. But when he came home he listened to hungarian folk music. Piskor’s two other brothers chose to get non-musical jobs. One brother has one year till retirement. The other was an electrician. brothers ; change ; culturing mixing ; family ; gypsy music ; modern era ; popular music ; purist ; siblings ; traditionalist Culture ; Family Roots (Family History Society of Eastbourne and District) 17 1769 Specific reasons for why the new generation is losing their heritage Today the young kids don’t know anything about their heritage their culture. They don't know the language. If I speak to them them in gypsy they have no clue what I’m saying. If I ask them, you know, I ll ask them, you know, where did your grandfather come from and they say Chicago or something like that. And I'll say no he didn't come from Chicago he came from Slovakia. And they just don't care is their feeling on it. Piskor explains the lack of interest that the new generation of Gypsies in the area have for their culture. He says there is more interest shown by the younger generation in hip hop and rock. A certain example brought up was the Elvis impersonator who gained some fame for his seamless imitation of the famous rock and roll star. The children of the next generation will say that they are half. For instance, Piskor grew up in a mixed neighborhood with mostly Gypsy and Puerto Rican residents. He says that inter marriages often resulted in families that followed more non-gypsy traditions and tended to take after the other parent. He does not know why this was the case but he did observe this in his community. Piskor does say that the talent will never go away and that there still is a strong element of musical ability in the new generation. But the traditional ways of performance and musical tradition is dying out. cultural knowledge ; Elvis Presley ; funerals ; generational differences ; heritage ; jazz music ; loss of culture ; loss of gypsy music ; loss of knowledge ; music ; symbolism ; talent Music-- ; Presley, Elvis, 1935-1977. Elvis Presley collection 17 2329 Gypsy Violins I never expected this book to go anywhere Piskor talks about why he wrote his book “ Gypsy Strings”. He says it was mostly for his family and was quite surprised to find so many people interested in his story. Even the process of writing the book was quite informal as would be expected for a first book. academic validation ; authur ; book ; gypsy violins ; publication ; unexpected success ; writing process Book ; Violin 17 2579 Traditional Music Roots My great grandfather was talking about his grandfather being a musician back in Europe. I mean so you’re talking about 6 generations I mean that could easily go back to the 1500s... so we know we it goes back several hundred years of musicians Piskor briefly talks about how far back the musical lineage of the Gypsies go and just how influential their music was. He recounts that the great austrian composer Mozart took inspiration from gypsy music and the composers’ names that he worked with are still recognizable to this day by Gypsies in the community. This history does not make him more hopeful about the present day situation with the newest generation of children. ancestry ; cultural roots ; family ; lineage ; roots ; tradition Culture ; Tradition 17 audio 0 https://oberlincollegelibrary.org/ohms-viewer/render.php?cachefile= Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Steve Piskor 1st interview Identifier An unambiguous reference to the resource within a given context OberlinCollegeIMC08 Format The file format, physical medium, or dimensions of the resource audio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Related Resources and Donations Subject The topic of the resource Romani Music Description An account of the resource Monographs and edited volumes of relevance to materials in the Batyi Collection Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource RomArchive Subject The topic of the resource Romani music and culture Description An account of the resource An online resource combining short essays on music, dance, and other traditions of diverse Romani peoples from different parts of Europe with audio and visual media. Creator An entity primarily responsible for making the resource Petra Gelbart, Curator Source A related resource from which the described resource is derived https://www.romarchive.eu/en/ Format The file format, physical medium, or dimensions of the resource Website Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Related Resources and Donations Subject The topic of the resource Romani Music Description An account of the resource Monographs and edited volumes of relevance to materials in the Batyi Collection Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Romani Routes: Cultural Politics and Balkan Music in Diaspora Subject The topic of the resource Romanies Music Description An account of the resource Monograph on Romani musicians in Southeast Europe and in the diaspora in the United States Creator An entity primarily responsible for making the resource Carol Silverman Source A related resource from which the described resource is derived obis.oberlin.edu/record=b3579374~S4 Publisher An entity responsible for making the resource available Oxford University Press Date A point or period of time associated with an event in the lifecycle of the resource 2012 Rights Information about rights held in and over the resource © Carol Silverman Format The file format, physical medium, or dimensions of the resource Hardbound book; xxvii, 398 p., [8] p. of plates : ill., music ; 25 cm Language A language of the resource English Identifier An unambiguous reference to the resource within a given context ML3600 .S55 2012 (Oberlin Library Call Number) https://astoriedpeople.oberlincollegelibrary.org/files/original/cd821380096351b7189a5ac519e451a6.jpg 21d4a49fb11a58dbf92b393e9376a006 https://astoriedpeople.oberlincollegelibrary.org/files/original/6934b9073ddb338aa545574d52d40a83.jpg 81aff0e5c330c2682eadcba27669d25d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recordings Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Alex Chuang Creator An entity primarily responsible for making the resource Kisz Központi Müvészegyüttes Raykó Zenekara, The Rayko Orchestra Singer: Urbán, Katalin Leader: Lendvai Csósci, József Musical Manager: Serédi, Istvaán Technical manager: Radányi, Endre Date A point or period of time associated with an event in the lifecycle of the resource 1964 Description An account of the resource A vinyl recording of the Rayko Orchestra performing various popular songs, sung by Katalin Urbán and directed by József Lendvai-Csósci. The Rayko, or Rajko, Orchestra, was founded in 1952 by Ivo Csampai and was directed by Pal Szigeti from 1950 to 1981 (“Az”). True to its name, “Rajko,”--meaning gypsy child--the state sponsored orchestra was made up of young, gifted Romani musicians who were frequently accompanied by a dance band (Horowitz). The orchestra is still active today and has performed internationally (“Az”). The band’s origins lie in the post-WWII state led movement to train young students in skilled labor, which also stressed cultural and sports groups (“Az”). Within a broader national and regional scope, this period marked a pattern of state-implemented assimilationist policies for Romani people in Eastern European communist regimes, as Roma were viewed as deviant and obstacles to a unified socialist state (Barany 114). While Hungary denied Romani people status as a national minority in 1950, the policies following this were less coercive than other nations. In 1958, the Hungarian Socialist Workers Party endorsed support for Roma culture, education, and Roma-led organizations (Barany 121). Despite a resolution in 1961 establishing a program of forceful assimilation, future actions nevertheless supported Romani sociocultural groups and greater Roma autonomy (Barany 121). Tracklist: A Side 27'00" 1. Hullámzó Balaton Tetején (Hubay K) (On The Waves of The Balaton) 2. Tavasi szél -- Tarka-barka rokolyának-- Én Ezutaán két szeretõt tartok (Farkas Gy. feld.) (Popular Songs) 3. Muzikálö havasok (Farkas Gy.) (Mountains Music) 4. Meg kell a buzának érni -- Erre gyere rózsám -- Sej. haj, haj -- Egy szem búza (Farkas Gy. feld.) (Popular Songs) 5. Czinka Panna (Farkas Gy.) B Side 26"00' 1. Csárdás rapszódia (Farkas Gyula) 2. Saátrunk elõtt -- Tinna nenene -- Adott vajda szekeret Nem szeretem én az ürgét (Popular Songs) 3. Kesergõ, palotás és friss (Csermák A.--Farkas Gy.) (Dances) 4. Álom, álom -- Tarka szoknya -- Járd a táncodat Sűrűn szakad (Farkas Gy. feld) (Popular Songs) Works Cited: “Az Együttes Története.” Translated by Google Translate, KISZ Központi Művészegyüttes, KISZ Központi Művészegyüttes, kkme.hu/az-egyuttesrol/tortenet/ Barany, Zoltan D. The East European Gypsies: Regime Change, Marginality, and Ethnopolitics. Cambridge University Press, 2002. Horowitz, Joseph. “Rajko Orchestra and Dancers.” The New York Times, The New York Times, 28 Jan. 1979, www.nytimes.com/1979/01/28/archives/rajko-orchestra-and-dancers.html?mcubz=1. Format The file format, physical medium, or dimensions of the resource Vinyl Record with album cover. A side: 5 tracks, 27'00"; B side: 4 tracks, 26'00" Identifier An unambiguous reference to the resource within a given context CSC_GBA_07 LPX10073 https://storiedpeople.oberlincollegelibrary.org/items/show/7 https://storiedpeople.oberlincollegelibrary.org/files/original/751bf098329ac896efecf06f0e3acaf1.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/73411ee06b00e0aee497f1facd00c240.jpg Language A language of the resource Hungarian Publisher An entity responsible for making the resource available Qualiton Records Rights Information about rights held in and over the resource Unauthorized public performance broadcasting, copying is prohibited. Subject The topic of the resource Hungarian Roma Music Title A name given to the resource Rajkòk Type The nature or genre of the resource LP https://astoriedpeople.oberlincollegelibrary.org/files/original/9b6f67639615891e9a3ffed4f574c8b0.JPG bf65c35af0a4b3424b0911a2bdd7c001 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gypsy Strings Description An account of the resource Photograph of Gypsy Strings at their performance at Oberlin's Cat in the Cream (October 30th, 2017) Creator An entity primarily responsible for making the resource Photograph by Ian MacMillen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral History Interviews Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Ian Macmillen Interviewee The person(s) being interviewed Romani-American violinist George Batyi and band (Billy Rose, guitar; Chris Rose, bass guitar; Alexander Fedoriouk, cimbalom) OHMS Object This field contains the OHMS Hyperlink (link to the XML file within the OHMS viewer) https://oberlincollegelibrary.org/ohms-viewer/render.php?cachefile=Oberlin_College_IMC10.xml OHMS Object Text This field contains the OHMS Index and / or transcript and is what makes the contents of the OHMS object searchable in Omeka 5.2 Oct. 30th 2017 Gypsy Strings concert (second half) Oberlin College IMC10 Ian Macmillen and Class Oral History in the Liberal Arts A Storied People A Storied People Oberlin College Library Romani-American violinist George Batyi Ian Macmillen 0 SoundCloud audio &lt ; iframe width=&quot ; 100%&quot ; height=&quot ; 300&quot ; scrolling=&quot ; no&quot ; frameborder=&quot ; no&quot ; allow=&quot ; autoplay&quot ; src=&quot ; https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/592089027&amp ; color=%23ff5500&amp ; auto_play=false&amp ; hide_related=false&amp ; show_comments=true&amp ; show_user=true&amp ; show_reposts=false&amp ; show_teaser=true&amp ; visual=true&quot ; &gt ; &lt ; /iframe&gt ; 0 Beginning of the second half of the concert: Russian Romance &quot ; Ochi Chernye&quot ; (Black Eyes) medley 17 401 Second instrumental medley: Czardas 17 864 Third segment: &quot ; Autumn Leaves&quot ; (sung by Billy Rose) autumn leaves ; Billy Rose ; Jacques Prevert ; jazz ; Joseph Kosma ; song 17 1071 Fourth number: &quot ; A Day in the Life of a Fool&quot ; (known as &quot ; Manhã de Carnaval&quot ; or &quot ; Carnival Morning&quot ; from 'Black Orpheus,' sung by Billy Rose) Antonio Maria ; Black Orpheus ; Luiz Bonfa 17 1451 Fifth segment: Czardas (instrumental) 17 1696 Sixth number: Cimbalom solo 17 1775 Seventh piece: Romance and Czardas instrumental medley 17 2024 Eighth number: Instrumental (Russian?) 17 audio 0 https://oberlincollegelibrary.org/ohms-viewer/render.php?cachefile= Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oct. 30th 2017 Gypsy Strings concert (second half) Identifier An unambiguous reference to the resource within a given context OberlinCollegeIMC10 Format The file format, physical medium, or dimensions of the resource audio Relation A related resource <a href="https://astoriedpeople.oberlincollegelibrary.org/items/show/37">George Batyi Interview</a><br /><a href="https://astoriedpeople.oberlincollegelibrary.org/items/show/35">Billy Rose Interview</a><br /><a href="https://astoriedpeople.oberlincollegelibrary.org/items/show/36">Chris Rose Interview</a> https://astoriedpeople.oberlincollegelibrary.org/files/original/d22ceb7fe5ce1422500abd35482dd7d4.jpg bff42992f3927bfe3bfb19c3f8cdda91 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kathy Abromeit Creator An entity primarily responsible for making the resource Courtesy of Kathy Abromeit Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral History Interviews Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Ian MacMillen and Class Interviewee The person(s) being interviewed Kathy Abromeit OHMS Object This field contains the OHMS Hyperlink (link to the XML file within the OHMS viewer) https://oberlincollegelibrary.org/ohms-viewer/render.php?cachefile=Oberlin_College_IMC01.xml OHMS Object Text This field contains the OHMS Index and / or transcript and is what makes the contents of the OHMS object searchable in Omeka 5.2 Kathy Abromeit Oberlin College IMC01 Ian MacMillen and Class Oral History in the Liberal Arts A Storied People A Storied People Oberlin College Library Kathy Abromeit Ian MacMillen and Class 0 http://ohla.info/wp-content/uploads/2017/04/Kathleen-Abromeit-April-20-2017.mp3 Other audio 47 Introduction My name’s Kathy Abromeit and I live in Oberlin, Ohio. Ian MacMillen and student Jacquelynn Gaines and Kathy Abromeit introduce themselves and establish informed consent for the interview. Mysterious Deaths ; Orphanages ; Romanies--History ; Slang 17 184 Kathy's earliest conception of her family's Abromeit surname &quot ; So, growing up, my grandmother, uh, her first husband died, and I'm not really sure why&quot ; Kathy relays her earliest conceptions of her family's Abromeit surname, and how her grandmother had a complicated relationship to her absent grandfather, whom her grandmother referred to as a &quot ; goat.&quot ; Kathy grew up understanding she was German, and this conception of her family history stayed with her through college and graduate school. Kathy, a first generation student, attended graduate school for musicology in Library science. first generation student, family lineage, family history, Ethnic identity ; Genealogy &amp ; local history ; Reference Librarians ; Romani language ; Romanies--History ; Shamanism 17 250 &quot ; Ooh, Gypsy woman&quot ; He said, “ooh, Gypsy woman, Gypsy woman.” And I said, “What? What is that” and he said, “Oh, Abromeit, that’s a Gypsy name.” A German history professor at Oberlin College suggests to Kathy Abromeit that her surname has Roma (&quot ; Gypsy&quot ; ) origins. The professor referred Kathy to the novels of Siegfried Lenz in which Roma characters with the name Abromeit are featured. Kathy came to understand that Roma in Germany had adopted &quot ; Abromeit&quot ; as a clan name. Genealogy &amp ; local history ; Librarians ; Romani language ; Romanies--History 17 595 &quot ; I could become a prostitute or I could become a bootlegger.&quot ; “I had two choices. I was an unskilled woman with 5 children, and I could either become a prostitute or I could become a bootlegger.&quot ; Kathy describes her grandmother's efforts to support her five children and make a living after the departure of her second husband, Friedrich Abromeit. As an unskilled woman in 1925 during Prohibition, her employment options were limited. She turned to bootlegging corn whiskey which she referred to as &quot ; distributing,&quot ; and this served as her sole source of income. Kathy relates several humorous anecdotes about her grandmother's efforts to evade the police. bootlegging, alcohol, Prohibition Alcohol Trafficking ; Bootlegging ; Contraband Trade ; Police ; Prohibition 17 737 Grandmother's Roma Husband &quot ; She was a widow with three children ; she was tainted goods. The Roma guy was the best she could do.&quot ; Kathy's grandmother hid most of the details of her second marriage from her children and grandchildren and, in this segment, Kathy speculates as to why her grandmother carried so much shame about having married a Roma man. She believes that her grandmother feels she married beneath herself and was ashamed because her husband left her to father additional children elsewhere. Roma, Romani, stereotyping, shame, marriage, abandonment Child Rearing ; Shame ; Widows 17 803 Tracing Friedrich's Path &quot ; In the 1930 census, he's in southwest Oregon and it says in here that his parents are from Germany and that he's naturalized and that he's a miner...&quot ; Kathy describes documents she found using Ancestry.com which trace her Roma grandfather's path after leaving her grandmother until his death. Friedrich Abromeit travels around various areas of the northwest part of the United States including Oregon and Northern California. In each documented stop, the name indicated on his documents shifts slightly (Fred, Ferd, Freidrich, Fred &quot ; Rogue River,&quot ; Frederick). Kathy presumes that these name changes were out of necessity, possibly to run from the law. family history, lineage, genealogy Oregon. State Mining Board ; Tax Evasion ; Taxation -- Evasion 17 995 Romani Stereotyping in Poland &quot ; We have one daughter who studied with Ian in a Gypsy music class, Romani music class, and then our second daughter is a senior here this year at Oberlin and she's an Econ. major, and so she really wanted to study last spring at the Warsaw School of Economics.&quot ; Kathy describes a family trip to Poland that she takes with her husband, John, who is Jewish, and her daughters to look for the history of their families in Europe. John's uncle Albert Sabin invented the polio vaccine and upon their visit, local Bialystok residents asked if they could interview their family due to their famous roots. The interview seems to go well until John mentions his wife's Romani background. The Polish interviewers got silent, not wanting to continue discussing the possible ties to that heritage. Roma, Romani, Judaism, Poland, medicine, polio, vaccine, stigmatism, stereotyping Economic Theory ; Jews -- religion ; Musicians, Romani ; Oberlin College ; Romanies--Hungary--Music 17 1304 Food Traditions in Sandpoint, Idaho &quot ; You mentioned the food that was really similar, can you talk about that a little bit, what kinds of food you…?&quot ; Kathy describes food she remembers her grandmother making as she was growing up including &quot ; ruble soup,&quot ; &quot ; nanny cake,&quot ; and baked goods as well as vegetables in her garden and her skill at distilling and wine making. food, traditions, Russian food, eastern European Cooking, Hungarian ; Family Vegetable Garden Series ; Foods ; Rectification of Spirits 17 1479 Frugality and Religion &quot ; ...she prayed the rosary multiple times a day...&quot ; Kathy describes her grandmother's frugal habits, including smoking her cigarettes down to the very end, freezing and canning food, and cutting coupons. She also discusses her grandmother's view of religion, which included both praying the rosary daily, but also praying for and to her ancestors. religion, Catholicism, ancestors, frugality, religious traditions, saving, poverty Catholic Church--Customs and Practices ; Ethnic identity ; family, religion, and culture ; Identification (Religion) ; Romanies--Social life and customs 17 1619 Migration to the US &quot ; How long had her family been in Idaho, that part of the country?&quot ; The Abromeit family traced their history back to Idaho, where the grandmother moved in 1935 and met a Roma man. Idaho ; Minnesota ; Roma family, religion, and culture ; Genealogy ; migration, internal--United States ; Romanies -- United States -- Social life and customs 17 1752 Kathy Abromeit's Grandmother &quot ; So you said your grandmother was born in 1888 and then Fred or Friedrich or whatever his name was arrived in 1890, right?&quot ; Grandma Abromeit felt shame for marrying a Roma man. This affected her self care, which is documented in family photographs. Relationships ; Roma ; Self-care ; Shame Ethnic groups ; family Origins ; family, religion, and culture ; Romanies -- United States -- Social life and customs 17 1910 Romani Custom and Spirituality &quot ; Do you have any desire to recreate any of that Romani custom in your life or, you know, try to, to get back to that at all? I mean, you say you feel it in your gut, and I want to know how that manifests in your life.&quot ; Kathy states that she sees the Romani custom in her life within her spiritual practices. Customs ; Romani ; Shamanism ; Spirituality Catholic Church--Customs and Practices ; Family, religion, and culture ; Identification (Religion) ; Romanies -- United States -- Social life and customs 17 1994 Genetic Testing and Identity &quot ; That tension between, you know, the possibility of DNA or genetic evidence, um, and one way of kind of thinking about identity as traced back to… through certain genetic lines and to certain parts of the world from which people had moved—so, Roma from northwest India, or what is today northwest India—versus on the other hand, you know, thinking about traveler and this kind of idea about lifestyle, um… I, I feel like in today’s society in America those, those terms are very confusing for a lot of people…&quot ; Kathy discusses the stigma surrounding the words &quot ; Gypsy&quot ; and &quot ; Roma.&quot ; She states that she does not feel that she has enough knowledge to say what the politically correct term is, but does feel offended when some words are used in certain contexts (i.e. &quot ; I've been gypped). Genetic Testing ; Gypsy ; Identity ; Roma Ethnic identity ; Genealogy ; Romanies -- United States -- Social life and customs ; Romanies--History 17 2137 Modern Identities &quot ; I’m, I do, I would like for my kids to have a better sense of this, um…. And I know when I was, my daughter Brooke called me after class today and I told her, “Oh, yeah, you’re not going to believe it, you know, your great-grandfather, Fred Rogue River Abromeit…” and she’s like, “Oh, please save all this,” um…. You know we really need, we need to put it  together.&quot ; Kathy discusses how different generations approach their national identities. She says that her siblings are unwilling to discuss any other possible alternatives while her children are much more open to the idea. Identity ; Roma ; Travel conflict of generations ; Ethnic identity ; Genealogy ; Romanies -- United States -- Social life and customs 17 2300 Genetic Testing and Identity Revisited &quot ; You know, it's funny, as they talk about, like, epigenetics and history, they’re like, “Man, this really suck, you know, a Jewish father and a Roma mom, you know, what—we are destined to have all kinds of issues,” you know, and... Like, well, a Gypsy and a Jew, right? Um… yeah. You know, so they’re, they’re much more willing to look at it.&quot ; Jacquelynn and Kathy discuss how the possibility of not being what you had thought you were your entire life (i.e. German) might discourage people from getting the genetic testing done to determine ancestry. Genetics ; Identity Cultural appropriation ; Ethnic identity ; Genealogy ; Impostors and imposture -- United States ; Romanies -- United States -- Social life and customs 17 2444 Closing Statements &quot ; We really appreciate your sharing with us.&quot ; Jacquelynn, Ian, and Kathy say goodbye and thank each other for their participation. 17 audio 0 https://oberlincollegelibrary.org/ohms-viewer/render.php?cachefile= Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kathy Abromeit Interview Identifier An unambiguous reference to the resource within a given context OberlinCollegeIMC01 Format The file format, physical medium, or dimensions of the resource audio https://astoriedpeople.oberlincollegelibrary.org/files/original/500513ad45890d8c4afec69e208e3827.jpg c152d9b86b01784c3abd84729b9e2e34 https://astoriedpeople.oberlincollegelibrary.org/files/original/83003cabe58e2e65e2ed99ddacfe763b.jpg 2982574b5556f209ea1070ff4497512e https://astoriedpeople.oberlincollegelibrary.org/files/original/39c8be2f142289719a4879d65bf32456.jpg 7f1854a2af62a93e28269957ab437da4 https://astoriedpeople.oberlincollegelibrary.org/files/original/4277a83d108dd70da3ca381947bc5cb5.jpg 56d0532fcc1f158002542abc44052a57 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recordings Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Phyllis Jones Creator An entity primarily responsible for making the resource Kálmán Banyák and his Orchestra Description An account of the resource Release by Cleveland-based B&F Records containing performances of Hungarian folk tunes by violinist Kálmán Banyák. Format The file format, physical medium, or dimensions of the resource 12" vinyl disc Identifier An unambiguous reference to the resource within a given context CSC_GBA-09 B and F Records S-631 https://storiedpeople.oberlincollegelibrary.org/items/show/41 https://storiedpeople.oberlincollegelibrary.org/files/original/7637a05d6fc41428227f32d2c8741c4f.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/a19295297597b50efee75f61d1e64132.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/352ddc7a16c397572f2584b8a132de1f.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/7fad7cbfe4bef2dcb69d245416d76e3c.jpg Language A language of the resource Hungarian English Publisher An entity responsible for making the resource available B and F Records Subject The topic of the resource Romanies Music Folk music Hungary Title A name given to the resource Kálmán Banyák, the outstanding Gypsy violinist and his orchestra, play Magyar melodies Type The nature or genre of the resource LP https://astoriedpeople.oberlincollegelibrary.org/files/original/1507048647e2a7db415148988cb438a4.JPG 4c72a2eb133b617fb1b0970a4dd25c2e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jerry Grcevich performing with Kathy and Angela White Description An account of the resource Photograph of Jerry Grcevich (prim tambura) performing with Kathy White (berda/tambura bass) and Angela White (bugarija tambura) at Oberlin College on the occasion of the opening of the opening of the Oberlin Conservatory exhibition 'Tamburas of Eurasia' (April 13th, 2017) Creator An entity primarily responsible for making the resource Photograph by Ian MacMillen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral History Interviews Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Ian MacMillen and Class Interviewee The person(s) being interviewed Jerry Grcevich OHMS Object This field contains the OHMS Hyperlink (link to the XML file within the OHMS viewer) https://oberlincollegelibrary.org/ohms-viewer/render.php?cachefile=Oberlin_College_IMC02.xml OHMS Object Text This field contains the OHMS Index and / or transcript and is what makes the contents of the OHMS object searchable in Omeka 5.2 Jerry Grcevich Oberlin College IMC02 Ian MacMillen and Class Oral History in the Liberal Arts A Storied People A Storied People Oberlin College Library Jerry Grcevich Ian MacMillen and Class 0 http://ohla.info/wp-content/uploads/2017/04/Jerry-Grcevich-April-13-2017.mp3 Other audio 0 Recording album with Miro Škoro &quot ; we recorded it in this country and sent it back to Croatia as a newly formed country&quot ; Grcevich was at the right place at the right time to record an album with Miroslav Škoro Croatian Music ; Miro Škoro ; New Album 17 33 Hit song &quot ; Moja Juliška&quot ; &quot ; I don't think that there is any wedding that takes place in Croatia where they don't play that and they dance and sing&quot ; Grcevich introduces and plays the song &quot ; Moja Juliška&quot ; (composed by him and with text by Miroslav Škoro). &quot ; Moja Juliška&quot ; ; Example of Croatian Music ; Introduction 17 110 Jerry Grcevich introduction &quot ; when I go over there everything for me evolves around music and I go places and I do things just because they're there&quot ; Jerry Grcevich introduces himself and the centrality of music to his life and to his visits to Croatia. Croatian Music--Appreciation ; Family of Music (Musical group) ; Music and Travel ; Travel to Croatia 17 160 Importance of music and collaboration with Zvonko Bogdan &quot ; sometimes when I was playing for Zvonko Bogdan on a tour or something and I felt like that the people really they, just they loved it and it was something that was a special moment, or special evening&quot ; Answers question about surrounding himself with music by discussing his collaboration with Zvonko Bogdan. Class re-watches video spot of Zvonko Bogdan and Janika Balaž. Music appreciation ; Musical Importance 17 254 Grcevich's musical background &quot ; my grandfathers played tamburica then, then it, passed on to my uncle and my father or my uncle and I can remember when I was that big or something and take my dad's instrument to the top of the steps when there was no one around and just try to slide it down&quot ; Talks about his grandfathers and grandfather playing and getting his first tambura from his cousin (a luthier). Family influence ; family of musicians ; Musical Background 17 309 Formal and informal music education &quot ; I learned a lot from him and also Tuca Nikolić in Osijek, I learned from him. And, um, I went to college for music.... And, just took advantage of situations where I could learn&quot ; Talks about learning formally at college and informally from Zvonko Bogdan, Janika Balaž, and Antun &quot ; Tuca&quot ; Nikolić. College for Music ; Diverse Learning ; Growing up with Music ; musical teachers 17 389 Traveling constantly from Pittsburgh to Croatia &quot ; I would stay there often, one time I stayed in Croatia nine months. And that was in, in uh 19... in 2000, and then I really felt like, that I, when I stayed there nine months I felt like I was really living there&quot ; Recalls how often he traveled to Croatia and how when he lived there for nine months he started to feel like he was at home there. Feelings of Home ; Home ; Life in Croatia 17 455 Croatian American performance venues and events &quot ; they just played for all kinds of Croatian weddings and other nationalities like Serbian and different nationalities like that and they had a tavern where they would play, and they would play on weekends sometimes, and some of them would play during the week.&quot ; Recalls different nationalities' events, taverns, and radio stations at which his father and uncles performed. Father and Uncles ; Playing Music together ; Venues ; Weddings 17 516 Playing and visiting Yugoslavia in a junior tamburitzan ensemble and learning from Janika Balaž &quot ; when my father started teaching a junior tamburitzan group, uh, and I joined that group and we went to Yugoslavia the first time in 1969. And we toured the whole country and it was, it was such a wonderful experience to meet musicians and people from over a whole sea&quot ; Musical Styles ; Path of Success ; Talks about visiting Yugoslavia with his father's junior tamburitzan ensemble, meeting Janika Balaž, and later learning the latter player's style from him. 17 606 Americanizing tambura music &quot ; they would mix the old music that they learned from my grandfathers with what they were hearing on the radio. So they would kind of play a little different style&quot ; Discusses how his father and uncles adapted the tambura tradition as they incorporated American popular music and jazz. Americanizing their Music ; Mixing Old and New Music ; Musical Success 17 708 Learning Croatian language &quot ; my grandfather would say to me, he would call Jerko because that would be my… Jerry would be Jerko in Croatian and he would, he would say a mixture so I, I would understand it.&quot ; Talks about learning Croatian words and sounds from his grandfather Learning Croatian ; Mixing Language ; Nationalities 17 752 Nationalities of the student interviewers &quot ; Any other Slavic nationalities? Are you Slavic?&quot ; Grcevich asks the students about their backgrounds and plays pieces of music that come from the East European countries that they name. 17 841 Evolution and influence of musical styles &quot ; when I did my instrumental album in the 1990s, early 1990s, the groups over there started doing more instrumentals. Before, they would start with the songs, so I think I contributed.&quot ; Discusses influence of his music on Croatian tambura practice today and the impact of migration on musical traditions. Change in Music ; Migration Affecting Music ; Musical Instrumentals 17 912 Music and migration between Northern Serbia and Eastern Croatia &quot ; I know a lot of people from areas of Subotica, which is a Vojvod… a northern Vojvodina, a city where there were a lot of Croatians at one time. And, it was just, uh, easy to, for them to obtain a Croatian passport, uh, in the, in the 1990s, and a lot of them went, wanted to go to University of Zagreb&quot ; Talks about musicians and other Croats from Vojvodina who moved to or worked or studied in Croatia. Migration ; Popular Tambura ; Serbian and Croatian Music ; Tambura Bands ; Tambura Music ; Times of War ; Weddings 17 1066 Speaking Croatian and traveling in Europe &quot ; I never went to school for Croatian language but I picked it up pretty good and, being that I was there, um, that one year for nine months, that's when I really started to use it more than ever&quot ; Recalls learning Croatian informally and practicing it in Croatia, as well as traveling from there to surrounding countries. Croatian Language ; Language ; Travel 17 1144 Visit to Hungary &quot ; The last time I was there was before Christmas and after Christmas, so I stayed there for New Year's. And I went to a city called Mohacs, which is directly north of Osiak (?). Jerry discusses a visit to the city of Mohacs in Hungary where he met a friend named Josep Kobac who teaches tambura music. He describes a folk music festival that was occurring during the time he was there, and his experience going to the festival with Josep. celebration ; Community ; music ; tradition folk music ; Music festivals ; Romania ; tambura ; travel 17 1261 Divisions of Roma &quot ; I've heard people in Croatia say that the Roma populations from Yugoslavia are kind of divided into two, there are the Hungarian Roma and the Romanian Roma.&quot ; Professor Ian MacMillan asks Jerry whether there are divisions between the Romanian and Hungarian Roma. Jerry discusses the differences between the two in Europe and America, but also references the unity that comes from playing in bands together. cultural unity ; culture ; diaspora ; nation Hungary ; music ; Roma ; Romania ; Yugoslavia 17 1327 Pittsburgh &quot ; What about your part of Pennsylvania, western Pennsylvania...it's been a few years now but we had George Bocci (?) out here who identifies as being part of both the Hungarian and Slovak Roma...&quot ; Professor Macmillan asks about the Roma community in Pittsburgh, where Jerry grew up. Jerry discusses the community that existed there in his childhood, and the roots of his friends and family. He also discusses the differences between the Hungarian and Slovak Roma populations in the area. He states that this community is getting lost. A classmate then asks about the distinction between Hungarian and Slovak Roma, and Jerry discusses the difference in music between the two. assimilation ; culture ; diaspora ; emigration ; generation culture ; diaspora ; Hungary ; language ; linguistics ; Magyar ; musical tradition ; Pittsburgh ; Roma ; Slovakia 17 1493 Gypsy Cafe &quot ; And I always felt like--when I would go to Croatia or Yugoslavia, and I would see a group like Yannick (?) or something playing in the same restaurant every night, I always wanted to do that.&quot ; Jerry discusses how he got a regular gig playing at a restaurant called &quot ; Gypsy Cafe&quot ; with his tambura band. He relates how a song called &quot ; Marianna&quot ; was very popular. He then discusses the importance of specific venues and places for Roma music in Cleveland and in Europe. He discusses how his father and uncle would play in Croatian clubs. assimilation ; culture ; emigration ; performance ; place Cleveland ; clubs ; Croatia ; gigs ; music ; Pittsburgh ; Roma music ; tambura 17 1672 Do any of you play an instrument? &quot ; I have a question for everybody. Do any of you play an instrument?&quot ; Jerry asks the class whether any of them play an instrument, and the class shares their music experience. He then discusses a friend from childhood who played viola, and asks the class about music theory. He also discusses his childhood music teachers. genre ; music ; pedagogy ; performance classical music ; flute ; jazz ; Music ; music teaching ; music theory ; piano ; saxophone ; singing ; viola ; voice 17 1835 Performance at Oberlin &quot ; How many of you do you think will come to the performance that we have?&quot ; The class discusses whether they will be able to come to Jerry's performance later that night at the college, and what will be happening in the performance. exhibition ; performance music ; Oberlin ; performance ; scheduling 17 1864 This Class &quot ; Oh, ask something, ask anything.&quot ; Jerry asks the class how they like the course, and the class answers. Jerry asks whether he can visit the class more often, and the class reacts positively to this possibility. pedagogy academics ; classes ; college 17 1919 Night of Budapest &quot ; So we read a section of a book by Steve Piskor about Night of Budapest, do you remember that at all?&quot ; Jerry discusses Night of Budapest, a major music event for Roma bands across Europe, and the discipline that it takes for a large group of people to play traditional Roma music in a synchronized fashion. celebration ; cultural unity ; discipline ; gathering ; tradition discipline ; Europe ; Hungary ; learning music ; music festivals ; Night of Budapest ; Roma music ; tambura 17 2032 How important have religious institutions been for preserving music? Jerry Grcevich speaks about the relationship between the Catholic Church and playing Tambura music. He talks about the role of the Church as a central institution in folk traditions and as a place to gather and experience music. Catholic ; Church ; Folk Traditions ; Mass ; Midnight Mass ; Music 17 2233 Is the tradition dying out? Grcevich speaks about the other musicians in his family. He mentions his niece and nephew, and other cousins that play Tambura music. He then talks about his hope that the musical traditions will not die out, despite a generational drop in popularity. Family ; Generations ; Musical Heritage ; Musicians 17 2325 Music and Funerals Grcevich speaks some about his experience playing Tambura music at a funeral, and some of the difficulties that come with that. Death ; Funeral ; Music 17 2401 The Role of Music Grcevich talks about the presence of music throughout a lifetime, such as births, weddings, funerals, etc. He speaks about the use of music as a way to socialize and relax for members of his community. Celebrations ; Community ; Music ; Socializing 17 2484 Recorded vs Live Music Grcevich speaks about his thoughts on recorded music, and how he perceives recordings to have a lesser emotional impact than live playing. He then talks about changes in the music itself depending on the performance venue, specifically the electronics in the performance venue. Live Music ; Music ; Performance ; Recording 17 2665 The Tambura Grcevich speaks about the physical specificities of instruments in the Tambura family. He touches on the high tension of the strings, and on their tunings. Instruments ; Music ; Stringed Instruments ; Tuning 17 2808 Musical Example: &quot ; Marianna&quot ; Grcevich plays an example of traditional music on his Tambura. He plays the song &quot ; Marianna.&quot ; Music ; Playing ; Song ; Tambura 17 2905 Farewell 17 No transcript. audio 0 https://oberlincollegelibrary.org/ohms-viewer/render.php?cachefile= Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jerry Grcevich Interview Identifier An unambiguous reference to the resource within a given context OberlinCollegeIMC02 Format The file format, physical medium, or dimensions of the resource audio Relation A related resource <a href="https://astoriedpeople.oberlincollegelibrary.org/items/show/43">Gipsy Stringz CD</a><br /><a href="https://astoriedpeople.oberlincollegelibrary.org/items/show/47">"The Lark" cassette by Continental Gypsy Strings</a> https://astoriedpeople.oberlincollegelibrary.org/files/original/8d7fd7c79bba6daabe1b0b0a19005462.jpg 4be02846bcb735701e0812755dbe96bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Linda and James Ziga Creator An entity primarily responsible for making the resource Courtesy of Linda and James Ziga Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral History Interviews Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Ian MacMillen and Class Interviewee The person(s) being interviewed James and Linda Ziga OHMS Object This field contains the OHMS Hyperlink (link to the XML file within the OHMS viewer) https://oberlincollegelibrary.org/ohms-viewer/render.php?cachefile=Oberlin_College_IMC03.xml OHMS Object Text This field contains the OHMS Index and / or transcript and is what makes the contents of the OHMS object searchable in Omeka 5.2 James and Linda Ziga Oberlin College IMC03 Ian MacMillen and Class Oral History in the Liberal Arts A Storied People A Storied People Oberlin College Library James and Linda Ziga Ian MacMillen and Class 0 http://ohla.info/wp-content/uploads/2017/04/James-and-Linda-Ziga-April-14-2017-STE-012.mp3 Other audio 0 Introduction 17 814 Linda Ziga Retells her Family History and Childhood Now I have a totally different background as a young child because I was born Irish, Scottish, and Cherokee Indian. Linda explains that she was born Irish, Scottish and Cherokee Indian, in Alabama. Her family owned Indian land in northern Alabama until a treaty took the land away. Members of her family were shipped to Oklahoma on the trail of tears. Her parents left Alabama for Cleveland for job opportunities at the Ford and Chevy plants. She was raised Baptist, and her grandmother was rather strict. heritage ; industrial opportunity Automobile industry and trade--United States 17 933 Love and Romance in the Gypsy Community We met each other, she was was 14. Linda and James met at age 14. James had some early romance problems with gypsy girls wanting to marry him at age 15, but he was not ready for that kind of commitment. James possessed many of the traits that were appealing to gypsy girls, including money, a clean record, and the ability to play music. courtship rituals ; marriage tradition ; romance Romanies--Social life and customs ; Women, Romani 17 1078 Gypsy Girls They are really, very, very, pretty girls. James details the traits that make gypsy girls attractive. These include their physical features but also the way they dress. Family, religion, and culture ; Woman, Romani 17 1122 James and Linda's Education I went to, I went to, school at William Dean Howells Junior High School and West Tech High School and then attended some classes at Tri C. Linda explains that she went to school with some of James's family members. Linda attended William Dean Howells Junior High School and West Tech High School and then attended some classes at Tri C. Jim went to St. Patrick’s School. education Education--Standards--United States--States 17 1181 Religion in the Gypsy community A lot of people to, don’t think that gypsies aren’t that religious, but my people James explains that it is a common misconception that the Roma community is uniformly not religious. His family is extremely Catholic. There is a diverse array of religions practice within the community. Catholicism ; fortune telling ; Religion Family, religion, and culture ; Romanies--Social life and customs 17 1206 The Chicago Community but all of our relatives, which is at that time there was thousands, thousands of them, because there was a lot of them in Chicago, in my time. And they all lived on a street called Burling Street (?) and some of them lived on a couple streets after. The Ziga's had a strong presence in Chicago. Most of them lived within a few streets of each other. There was a lot of drama within the community, especially in the summer when it was hot. Tensions often flared, especially between the women who were protective over their men and children. community ; family ; relationships Family, religion, and culture 17 1313 Differences Between Communities Yeah you can call them gadje, but usually in our generation it was Americans. Wild gypsies and that, we called the ones that were fortune tellers, James and Linda explain the difference between their immediate community other Roma communities. Some differences include the role of religion and the term for non-gypsies. diaspora 17 1353 James and Linda's Wedding when Linda and I got married we had to rent two floors, there were over 500 people there at our wedding James and Linda had a huge, traditional wedding. The entire community came out for the wedding. Additionally, as the wedding was traditional, Linda had to go through several ceremonies to officially convert to Catholicism. baptism ; community ; conversion ; wedding traditions Wedding anniversaries 17 1444 Churches in the Region Did other gypsies from your community attend the same church that you went to? James and Linda discuss other churches in the area as well as religion in the community. Many gypsy people went to the same religious institution due to proximity. religion Community churches 17 1478 Education in the Community A lot of us went to school there. A lot of us did. In my time they didn’t believe in education at the time. James explains that many people in the gypsy community did not believe in education, that's why there was so much emphasis on becoming a musician. A change has gradually occurred where more young people are going to college instead of becoming musicians. This is good for the economic stability of their families, but some traditions are being lost. higher education Family, religion, and culture ; Minorities--Education (Higher)--United States 17 1510 James Ziga's Trip to Chicago How long did I live in Chicago? About 6 months. Because I just couldn’t take it… I couldn’t take it anymore. James Ziga was in Chicago for six months. He was pushed into going because of a romantic scandal. He had been dating a girl and was accused of having sex with her. The girl's reputation had been tarnished and he had to swear on a bible that nothing had actually happened. chicago ; cultural norms ; family Family, religion, and culture ; Women, Romani 17 1656 Music's Role in the Ziga's Lives The girl’s father was a great musician too, he was a violin player. James explains that he was taught to play by the girl's father. There was a great tradition of music in the family throughout all the past generations. However, things have changed. James no longer really plays. Linda is not musically inclined at all, but one of their sons enjoys playing. family ; music ; traditions Family, religion, and culture ; Folk music 17 1723 James Ziga on His Brother James Ziga talks about his brother's musical education and early work as a musician. The brother played with a band called the Dalton boys. Ziga also mentions a girl his brother used to date which leads to a description of a romani woman he later married. New York, Copacabana Family, religion, and culture ; Folk music 17 1829 Too Many Lindas Linda Ziga takes a brief tangent to tell about the quantity of women in their family named Linda. 17 1882 Food and Tradition Linda and James talk about traditional food served every Sunday as well as that served at weddings. They discuss the large community gatherings surrounding weddings, funerals, christenings, and other religious events. Linda brings up a strange baptism tradition. wedding, baptism, romani, gypsy As long as we both shall eat : a history of wedding food and feasts / Claire Stewart. 17 2080 James' Sister Marilyn Linda talks about sharing a home with James' parents and acting as a babysitter for his sister. She and James then mention the death of his sister's son and her present life in Vegas. 17 2132 Shrine in Euclid Ohio Linda talks about the Lady of our Lord shrine in Euclid Ohio. A large number of gypsies would visit the shrine annually for the Feast of the Assumption. Religions of the world [electronic resource] : a comprehensive encyclopedia of beliefs and practices 17 2229 Gathering in Euclid Beach Park Linda adds a story about an event at Euclid Beach put on every year by the Musicians Union. Entire families would attend, picnic, and dance late into the night. They discuss how the event petered out in the 70's after James' father died due to migration of the community. Religions of the world [electronic resource] : a comprehensive encyclopedia of beliefs and practices 17 2355 Roma Women and Music James and Linda talk about women's involvement in romani musical life. They talk about a few women who were accomplished musicians, particularly violinists. However, they explain that women were usually not professional musicians but took part in singing gypsy songs and group music. James adds that music really was employment for the men, and talks little about his father's musical career in Cleveland. Roma Women Association Romania 17 2533 Linda prompts a story about the tradition of Christmas caroling in the Cleveland area for gypsy musicians. Now, what about the tradition. You should tell them a brief story about the Christmas caroling. caroling ; Christmas ; music ; tradition Christmas Story House (Cleveland, Ohio) 17 2698 James and Linda talks about the traditional dress for weddings. J: And at the weddings it was like that, the women were always trying to outdo the other ones and they’d, they’d spend hundreds— L: They still do. dress ; money ; tradition ; wedding Wedding clothing &amp ; dress 17 2902 Linda and James discuss their marriage. &quot ; We’ve been married almost 51 years.&quot ; James and Linda go into the trips taken as a family and the pieces of their marriage that work. Emma asks a question about the scandalous nature of their relationship. They also discuss the involvement of their parents in their relationship. anniversary ; children ; courting ; marriage ; parents ; tradition ; traveling 17 3157 Engagement Handkerchief Tradition &quot ; But there was there was something with a handkerchief and tying a knot over their hands...&quot ; Linda asks about a tradition involving a handkerchief and older members of the community coming together and binding the two members of an impending marriage together. handkerchief ; tradition 17 3201 The Right Gypsy Marriages &quot ; they were taught, they were taught to like the good boy. And getting married with a good girl was always with a good boy&quot ; marriage ; musician ; proper ; support James explains the proper kind of marriages accepted within the gypsy community and the criteria looked for by the parents and families. 17 3299 Their Marriage &quot ; they all got together, my mother and father and your mother and father and they were reasonable, very reasonable about it and they sat down and they said let’s let them get married&quot ; James and Linda talk about how reasonable their parents were considering the fact that Linda was not a gypsy and James was a very good and desirable gypsy boy. concession ; marriage ; parents ; planning ; wedding dress 17 3338 Linda's adoption into the gypsy community. &quot ; I am a perfectly adopted gypsy now, I mean no one has a problem with me being not a gypsy because I’ve been raised with these people and I know the customs and traditions&quot ; Linda talks about her acceptance into the gyp adoption ; community ; involvement ; traditions Ohio. Office of Community Development 17 3395 Chicago's Gypsy Community &quot ; It was a fun place to visit. But I would not live there with the drama that was going on.&quot ; James starts talking about Chicago and the fun and dramatic community of gypsies that existed there. They also mention how they would never want to live there with all of the drama that came with the crazy women there. chicago ; drama ; show ; women Women's Union (University of Chicago) 17 3448 Goodbye and Thanks &quot ; Well thank you so much for sharing, it’s been great.&quot ; Professor Macmillan says goodbye to James and Linda and thanks them for their time. Linda ends with a statement of longing for the old ways and traditions but stating her admiration for the wonderful new technology that comes with the modernity. Goodbye ; new technology ; preservation ; tradition Middletown (Ohio). Historic Preservation Council ; Ohio. Task Group on New Technology Application 17 audio 0 https://oberlincollegelibrary.org/ohms-viewer/render.php?cachefile= Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James and Linda Ziga Interview Identifier An unambiguous reference to the resource within a given context OberlinCollegeIMC03 Format The file format, physical medium, or dimensions of the resource audio https://astoriedpeople.oberlincollegelibrary.org/files/original/ecd74b70cae2cbdfd1d1edc2533fb6db.jpg 87de22317cf25f8370902df5d0454a73 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jacquelynn Gaines Description An account of the resource Photograph of Jacquelynn Gaines, CIT Communications Manager at Oberlin College Creator An entity primarily responsible for making the resource Photograph courtesy of Jacquelynn Gaines https://astoriedpeople.oberlincollegelibrary.org/files/original/d7e3a515679c15f2b9a41f12c6f07437.jpeg 6ff1703aa45b83b1e2dfcaf19b7ca39e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Hongosh, Sr. Description An account of the resource Photograph of Edward Hongosh, Sr., grandfather of Jacquelynn Gaines Creator An entity primarily responsible for making the resource Photograph courtesy of Jacquelynn Gaines https://astoriedpeople.oberlincollegelibrary.org/files/original/bc63654d6035bde8d6bd67d608e9baad.jpeg 871ea1ab6457d58ffc6d551c7de62486 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Hongosh, Sr. and Viola Hongosh Description An account of the resource Photograph of Edward Hongosh, Sr. and Viola Hongosh, grandparents of Jacquelynn Gaines Creator An entity primarily responsible for making the resource Photograph courtesy of Jacquelynn Gaines https://astoriedpeople.oberlincollegelibrary.org/files/original/555781c21ef3408584ca88976dd8b06b.jpg 4b13079c18d33033a20ecca4dacb1d4d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ronald Hongosh Description An account of the resource Photograph of Ronald Hongosh, father of Jacquelynn Gaines Creator An entity primarily responsible for making the resource Photograph courtesy of Jacquelynn Gaines Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral History Interviews Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Ian MacMillen and Class Interviewee The person(s) being interviewed Jacquelynn Gaines OHMS Object This field contains the OHMS Hyperlink (link to the XML file within the OHMS viewer) https://oberlincollegelibrary.org/ohms-viewer/render.php?cachefile=Oberlin_College_IMC07.xml OHMS Object Text This field contains the OHMS Index and / or transcript and is what makes the contents of the OHMS object searchable in Omeka 5.2 Jacquelynn Gaines Oberlin College IMC07 Ian MacMillen and Class Oral History in the Liberal Arts A Storied People A Storied People Oberlin College Library Jacquelynn Gaines Ian MacMillen and Class 0 http://ohla.info/wp-content/uploads/2017/11/Jacquelynn-Gaines-Oct-27th-2017-interview.mp3 Other audio 0 Introduction &quot ; REES 261, Roma, &quot ; Gypsies,&quot ; Travelers, we're here doing an interview today, here at Oberlin College, in the StudiOC space, it is October 27th at 1:30pm&quot ; &quot ; My name is Jacquelynn Gaines, my maiden name is Hangash, I have Romani ancestry on my father's side. I am a CIT Communications Manager at Oberlin College, and I was born and raised in Cleveland&quot ; Basic introduction by Jacquelynn Gaines, and description of where and when this interview is taking place. &quot ; Gypsies&quot ; ; Cleveland ; Northeast Ohio ; Oberlin College ; Roma ; Roma community ; Romani Romani ; women, Romani 17 49 Family History and Immigration Experience in Cleveland &quot ; My family immigrated from Hungary to Kelleys Island, and they actually spent a number of years on the island, before moving to Cleveland proper.&quot ; &quot ; My dad was born and raised in downtown Cleveland and then he sort of moved out to the west side, his brother did the same thing.&quot ; &quot ; His brother grew up in a gypsy household, would have spoken the language at home, would have eaten the food at home, would have done all of those cultural practices at home, and then his father passed away. so that sort of fell off after that point. his older brother was really really interested in Americanizing himself.&quot ; Jacquelynn Gaines gives a basic overview of her family's migration history from Hungary to Kelleys Island to Cleveland, and then the suburbs later on. She speaks about her father and uncle's experiences growing up in a Romani household and how things changed when their father passed away. Americanization ; Americanizing ; Bay Village ; Berea ; Cleveland ; Eberhard Manufacturing ; family tree ; Gypsy ; household ; Hungarian ; Hungary ; Kelleys Island ; Northeast Ohio ; Roma community Romanies -- History ; Romanies -- Language ; Romanies -- United States -- Social life and customs ; Romanies -- Women ; Romanies -- Youth 17 359 Questions of Claiming Romani Identity &quot ; I wrestle a lot with questions of identity, and whether I have...um...can claim that ancestry, because i didn't grow up in that environment, i didn't cook the food, i didn't really speak the language, i didn't learn the songs, do all this kind of thing, so I wonder sometimes whether that's legitimate enough&quot ; Gaines talks about her internal conflicts over identity, and the question of whether she can &quot ; claim&quot ; her Romani ancestry since she did not grow up with the cultural traditions. claiming ancestry ; daily life ; identity ; legitimacy Family, religion, and culture ; Romanies -- United States -- Social life and customs ; Romanies--History 17 417 Parents' Relationship and Issues Between (Roma and Non-Romani) Families &quot ; If there was any animosity between the two families, it was primarily over religion.&quot ; &quot ; There was a lot of animosity here. She would have told you that she was Bohemian, and she was very aggressively not Hungary, not a Hunky, she probably would have said, or not a Gypsy. So she was really adamant that that was not her identity at all in order to divorce herself from that sort of whatever reputation or stereotype she thought my grandfather and his family would have had.&quot ; Gaines discusses how her parents met and the conflict that the families had over religion. She also discusses the animosity between her grandparents and her grandmother distancing herself from the Romani and Hungarian identity. &quot ; Bohemian&quot ; ; &quot ; Gypsy&quot ; ; &quot ; Hungarian&quot ; ; &quot ; Hunky&quot ; ; animosity ; identity ; marriage ; religion ; wedding Family, religion, and culture ; Identification (Religion) 17 541 &quot ; Hunky&quot ; &quot ; What does that term, &quot ; hunky,&quot ; mean to you?&quot ; &quot ; It's a slur word for Hungarian, I don't like to repeat it.&quot ; Gaines explains the term &quot ; Hunky,&quot ; a slur word for &quot ; Hungarian&quot ; that her grandmother often used. &quot ; Hunky&quot ; ; Hungarian ; slur Romanies--History ; Slang ; slurs (insults) 17 567 Intergenerational Differences Towards Romani Identity &quot ; I don't know that there was any, um, anyone was opposed to me doing it, I think it was more surprise, like why would you care about that or want to go back to that. i feel resentful sometimes, that they didn't hang onto all of those traditions.&quot ; &quot ; Was there any time in your father's later life when he, like, tried to dig more into it, after he separated more from his brother and being young, that he tried to reconnect at all?&quot ; &quot ; It's funny that you should say that, because it's just starting to happen now. He's been sending me flight information for deals to Budapest, so I think he does have a little bit of that desire, even if he doesn't have all this scholarly type interest.&quot ; Discussion of her father and uncle's reactions to her genealogy research and interest in Roma ancestry. Gaines also talks about her father's recent interest in reconnecting with his background. Americanize ; Budapest ; embrace ; genealogy ; reconnect ; reconstruction ; resentment ; Roma culture ; traditions Genealogy ; Genealogy &amp ; local history ; Romanies--History ; Romanies--Hungary--Social conditions 17 667 Household and Situation Growing Up &quot ; I have two sisters, I'm the oldest of those three daughters. i grew up in Olmstead Falls, which is a southern suburb of Cleveland. I don't really know that my childhood is terribly remarkable.&quot ; &quot ; Neither my dad nor my mom really had a whole lot of cultural tradition, around holidays or weddings or that kind of thing.&quot ; Gaines describes her household (including her siblings and where she grew up) and her family's lack of cultural traditions. childhood ; Christmas ; Cleveland ; cultural tradition ; holidays ; household ; Olmstead Falls ; resentment ; sisters ; weddings Romanies--Social life and customs ; Women, Romani ; Youth, Romani 17 739 Curiosity Toward Romani Background &quot ; Did you have any sort of curiosity about your background growing up or did it sort of arise later, what was that process of your curiosity coming?&quot ; &quot ; My dad just talked about it like it was normal. Honestly, I don't think I even knew until I got my progressive education when I came to work at Oberlin.&quot ; Gaines talks about when and how she started thinking about her Roma ancestry in her later years. Also that she only recognized that being Romani was seen as a &quot ; bad&quot ; thing when she was much older since her father talked about it normally. background ; conservative ; curiosity ; Gypsy ; progressive education ; Romani Ethnic groups ; Ethnic identity ; Oberlin College ; Romanies--History 17 786 Religion in Household &quot ; Did religion play a certain amount of role in your life, was there tradition connected with that in your family?&quot ; &quot ; I grew up in a super evangelical, mega-church type situation.&quot ; &quot ; My dad grew up in the Catholic Church, went to Catholic churches in Cleveland, he went to Benedictine High School, and I think that was a big part of his upbringing, that clashed with my mom when they got together because he had these more traditional views.&quot ; Religion was a big part of her household ; her father was very religious while her mother was not, which led to some clashes. Catholic church ; evangelical ; family ; religion ; tradition ; upbringing Family, religion, and culture ; Identification (Religion) ; Romanies--Social life and customs 17 828 Her Engagement and Curiosity with Romani Background &quot ; I'm interested in this pattern of engagement that happens generation to generation in your family, be it the origin point of coming from Hungary to being somewhat more connected to tradition, losing it, as you marry out of the culture, and then coming to your position. And I'm curious, do you think that coming to OB or being in this institution, or just a general atmosphere of the times has created this impetus for you to look deeper into your culture, or to find what differentiates you as a person here?&quot ; &quot ; I think that Oberlin had a little bit to do with that, at least with the gypsy-ness specifically, but the resurgence and the desire to do some genealogy type research actually happened when i met my now-wife.&quot ; &quot ; My sisters did not have quite the progressive education that I ended up getting when I came here and are fairly religious and fairly conservative ,and they didn't come to want to do that genealogy research on their own.&quot ; Gaines talks about the different influences that she had in terms of finding out more about her background. She also discusses her sisters' disinterest in their Romani heritage. &quot ; Southern&quot ; ; background ; conservative ; culture ; engagement ; genealogy ; generation ; Hungary ; impetus ; Oberlin ; religious ; sisters ; tradition Ethnic identity ; Family, religion, and culture ; Genealogy ; Genealogy &amp ; local history ; Oberlin College ; Romanies -- United States -- Social life and customs 17 978 Genealogy Research Process and Cousin Norbert &quot ; I've done a lot of the paper trail work, so I've gone to Kelleys Island and gotten genealogy records and tried to reconstruct the tree a little bit, and collected documents from some of my family members.&quot ; &quot ; My dad's second cousin, Norbert, still has all of the language, and some of the songs and that kind of thing, so we've been meeting fairly regularly to try to collect some of that because he's a lot older now.&quot ; Gaines talks about her research process and an older relative, Norbert, who has retained a lot of the tradition, and whom Gaines works with to carry out her research. family background ; genealogy ; Kelleys Island ; Norbert ; paper trail ; research Genealogy ; Genealogy &amp ; local history ; Music--Romani influences ; Romanies--History 17 1082 Core Hungarian Neighborhood &quot ; Why Kelleys Island?&quot ; &quot ; The neighborhood that they moved to, they lived on Mount Auburn, which is just south of Buckeye Road, so that was the really big core Hungarian neighborhood in Cleveland in the 1920's, it was something like 18 or 20 percent of the population was Hungarian at the time.&quot ; Gaines describes and shows photos of the core Hungarian neighborhood in Cleveland, in which her family lived. 1920's ; Buckeye Road ; Cleveland ; community ; Hungarian neighborhood ; Kelleys Island Ethnic groups ; Ethnic identity ; Romanies--History ; Romanies--Social life and customs 17 1128 Grandfather's Occupation in Cleveland &quot ; Do you have any ideas to what they did in Cleveland...for a career?&quot ; &quot ; I think my grandfather worked in a bar there, and ended up going into a partnership with a tavern that he owned in Cleveland when they moved.&quot ; A description of her grandfather's occupation in Cleveland: he worked in a bar in Cleveland, and then went into a partnership with a tavern. bar ; career ; Cleveland ; grandfather ; tavern Family, religion, and culture ; Romanies -- United States -- Social life and customs ; Romanies--History 17 1148 Realizing Marginalization of &quot ; Gypsy&quot ; Culture &quot ; You mentioned not really knowing that gypsies were &quot ; bad,&quot ; until you came to this kind of progressive area, and so I was just wondering what people were telling you or what sources you were coming upon that gave you that realization or new perspective...?&quot ; &quot ; I think maybe what I came to is sort of folks around me going 'Oh, that's a culture, not a costume' ad campaign, and I went 'Oh, that's a slur, people use this in a bad way.'&quot ; Gaines discusses how she came to realize that being &quot ; Gypsy&quot ; was seen as a bad thing by some when she came to Oberlin, when it had been normal to her growing up. culture ; gypsy ; normal ; progressive ; slur Cultural appropriation ; Gypsy ; Oberlin College ; Romanies--Social life and customs ; slurs (insults) 17 1203 Connecting with Roma Community in Cleveland and Conflict in Identity &quot ; Have you made any attempts in Cleveland to connect with the gypsy culture there?&quot ; &quot ; I really struggle a lot with that, back to that identity question, whether I have the &quot ; right&quot ; to do that or would be welcomed in those communities because I wasn't raised that way and really don't have a lot of that background. I don't know if I would or wouldn't at some point, but right now, I feel sort of uncomfortable about taking that step.&quot ; Gaines talks about her discomfort with reaching out or attempting to be part of the Roma community in Cleveland because she doesn't know how the community will receive her, which goes back to her own internal conflict about identity. &quot ; right&quot ; ; background ; Cleveland ; communities ; gypsy ; identity Ethnic identity ; Romanies -- United States -- Social life and customs ; Romanies--Social life and customs ; Women, Romani 17 1244 Bohemian and Scottish Sides of Family Background &quot ; Are there other sides of your family background that you're looking into, like the Bohemian side, or your mother's ancestry?&quot ; &quot ; Yeah, I've done a lot of ancestry work on my mother's side. I'm Scottish all the way back on that side, and have traveled to the town in Scotland where they're from.&quot ; &quot ; They're records are a lot better, they're just a lot cleaner. And so doing the records work on the Hungarian side is a lot tougher.&quot ; Gaines discusses doing genealogy work on her mother's side, compares Hungarian and Scottish records, and talks about the research she has done on her Scottish side. ancestry ; Bohemian ; family background ; Hungarian ; records ; Scotland ; Scottish Genealogy ; Genealogy &amp ; local history ; Gypsy ; Romanies--History ; Scottish religious cultures 17 1278 Difficulty of Finding Locations in Hungary &quot ; Were you able to search or find anything in Budapest or Hungary?&quot ; &quot ; Yeah, I do have some town names and that kinda thing, but it's real fuzzy. And a lot of it too, the borders have shifted a lot too, which makes it a little tricky. Some of the counties are in what is now Romania that I have written down and so I don't know if those are legitimate or not.&quot ; Gaines talks about the difficulty of locating counties and towns in Hungary especially because of the shifts in borders that have occurred over time. borders ; Budapest ; Hungary ; Romania Romanies--History ; Romanies--Hungary--Social conditions ; Romanies--Social life and customs 17 1306 Connecting with Roma Community in Cleveland and Conflict in Identity (Revisited) &quot ; Have you come up with any names that come from this island that you can contact...what kind of approach would you take...&quot ; &quot ; ...I'm just not even sure what form that would take. I was looking through my grandmother's stack of photographs to bring the one's for you guys today and...she meticulously wrote folks names around the photographs...I wouldn't know how to go about contacting them at this point, especially if, people who aren't family.&quot ; The interview goes back to the topic of Gaines connecting with the Cleveland Romani community. Although she does have some names from her Grandmother's belongings, she has an internal debate as to whether she can rightfully &quot ; claim&quot ; her Romani ancestry because of how removed she has been from the cultural traditions. Archiving ; Archiving heritage ; Cleveland ; Family ; Gypsy ; Heritage ; Hungary ; Inter-generation ; Ohio ; photographic heritage ; Roma Ethnic groups ; Genealogy &amp ; local history ; Romanies -- United States -- Social life and customs 17 1356 Using this Information Moving Forward (Food Waste, Cooking) &quot ; What's next for you with this information? Is this, like, a personal project or are you trying to do other things with it?&quot ; &quot ; Yeah so I have a lot of interest in food waste. My primary hobby is cooking and I am really interested in trying to collect and reconstruct some of the recipes and cooking practices, and so that's like the focus of my 'research' if you should call it that.&quot ; &quot ; What interests you about that?&quot ; &quot ; I think just because that was my primary hobby. I love food and cooking...&quot ; Gaines discusses her interest in food (and food waste) and how that ties in with the research she is doing on her own Romani background. She hopes to collect and reconstruct some of the traditional recipes from her grandmother. Cooking ; culinary research ; cultural food ; food ; food research ; Food waste ; Hungarian cooking ; Hungarian food ; recipes ; Tradition Cooking, Hungarian ; Food waste -- Baltic States ; Romanies--Social life and customs 17 1430 Passing Down Reconstructed Histories to the Next Generation &quot ; If you do (have children) is that (Roma culture) part of what you'd like to give to...&quot ; &quot ; I haven't decided whether I'm going to have kids or not but my sisters are pretty solidly set on it so if we can pass it along to them then we're good...but, um...sharing it with my family is something that is important to me, I think i sort of wonder whether I could win my sisters over a little bit more if, oh, we're sitting down over this dish that I've made, like can we have a little conversation that's a little bit less, um...tense I guess through that medium of food.&quot ; She talks about passing down Romani traditions through the medium of food to the next generation (possibly her own kids someday, but for now, her nephews and nieces). She also discusses using food to talk about Romani ancestry with her sisters. children ; cultural heritage ; food ; generation ; hungarian ; roma ; traditions conflict of generations ; Cooking, Hungarian ; Romanies--Social life and customs 17 1479 Womanhood, Feminism and Queerness In Roma Culture &quot ; In this class we've been reading a lot of literature about being a woman in a lot of gypsy's cultures and a lot of, um, there's been a lot of, sort of word about, um, you know that you can't be gypsy and have that cultural identity and be a feminist and I'm wondering, with that said, what the role of being a woman in your family has been...&quot ; &quot ; I can't really speak to it from that gypsy perspective very much and my grandmother lived outside of that because she embraced this sort of 'bohemianness' so she lived outside of those contraints...one of the things that is harder for me to reconcile, rather than just being a woman and bringing your feminism to it is my queerness...&quot ; In response to a question about the conflicts between feminism and Romani identity, Gaines discusses her own views on the matter: more than her feminism, her queerness is something that is harder to reconcile with her Romani identity. cleveland ; Feminism ; Gypsy ; homosexuality ; hungarian queerness ; Queerness ; Roma ; womanhood Feminism ; Romanies -- United States -- Social life and customs ; Sexual minorities -- Civil rights -- Ohio -- Cleveland ; Women, Romani -- Social conditions 17 1595 The Motivation Behind The Work (Self-Discovery) &quot ; What is it that motivates you to do this work and have you, throughout this journey of research, have you discovered anything about yourself, just as a person. What has that been like&quot ; &quot ; I don't know that I, I'm just so uncomfortable with the idea of embracing this identity so I think I have a detached, kind of, view of the research I'm doing. It feels sort of scholarly and analytical to me, even though it's my family...&quot ; Gaines discusses her detached, scholarly perspective and approach toward her family history research despite the fact that it is personal information, because of her discomfort with claiming Romani identity. American Identity ; Becoming ; Becoming Roma ; Contemporary Race Issues In America ; Cultural Welcomeness ; detachment ; Gypsy Identity ; identity ; Identity Formation ; Imposter Syndrome ; motivation ; research ; Roma Identity ; scholarly ; traditional identity Cultural appropriation ; Ethnic identity ; Impostors and imposture -- United States ; Romanies -- United States -- Social life and customs 17 1697 When Roma Was First Heard &quot ; When did you first hear the word 'Roma,' was this a term that your father never used in relation to Gypsy or Hungarian?&quot ; &quot ; Oh no I don't think he would even know it to hear it now really, or Identify that way. But he would identify as gypsy.&quot ; Roma was not heard much in her household growing up, but came later when her work began in Oberlin. Gypsy was commonly used. Gypsy ; Gypsy Identity ; identity ; language ; Racial Language ; racism ; Racist Language ; Roma ; slurs ; Terminology Ethnic identity ; Romani language ; Romanies--Hungary--Social conditions ; Romanies--Social life and customs 17 1722 Music In Roma Culture &quot ; I feel like another one of the things that we've been running into a lot in this class, um, besides, like, woman's roles is music. Like we have George Batyi coming and we've done lots with it, and you mentioned that Norbert, I believe it was, was in a polka band...&quot ; &quot ; Yeah they definitely weren't performers as a profession but we absolutely have a lot of music in our background, most of my family is sort of musical or plays instruments&quot ; Gaines discusses music within the context of her Romani family. She mentions that although her Romani relatives were not professional performers, music was definitely a big part of their lives and many of her family members are musical. european folk music ; folk music ; hungarian folk music ; music ; musical tradition ; polka ; roma music Music--Romani influences ; musicians (employment) ; Romanies--Music ; Romanies--Social life and customs 17 1868 Other Family and Their Relationship To Their History &quot ; Are any of your cousins also interested in the Romani background?&quot ; &quot ; Yeah I have one cousin who is my first cousin and he's very interested. And the interesting thing about Chris is that he's gay also, so that complicates factors as well...reconnecting with communities is tricky.&quot ; In this segment, Gaines discusses other family members in her generation in terms of their interest in the family history. In particular, she talks about her cousin Chris, who, like her, is interested in learning more about their Romani heritage and is also gay. familial research ; family tree ; Family trees ; heritage ; hungarian family history ; hungarian history ; lineage ; Research Genealogy ; Genealogy &amp ; local history ; Romanies--History ; Romanies--Social life and customs 17 1914 Career Pressure From Family &quot ; At any point while you were deciding what you wanted to do with your lively hood or career, um, if there was outside pressure telling you to follow a certain path.&quot ; &quot ; Yeah, um, I think there definitely was. I mean I've had an interest in an arts type background but definitely felt pressure to get a more stable job, you know? Because my dad did, he went and got out of the manufacturing and took a step up and got a white-collar banking job and I think he expected his children to do the same.&quot ; There was not much support for an arts background and rather an expectation of a more stable job. Her father had gotten a white-collar banking job and expected his children (Jacquelynn and her sisters) to do the same. arts education ; baby boomers ; career expectations ; generation x ; generation y ; millennials ; roma conflict of generations ; Family, religion, and culture ; Romanies -- United States -- Social life and customs 17 1962 Describing Current Career &quot ; Can you describe what your career is now?&quot ; &quot ; Yeah, I am the CIT communications manager, that was my first job out of college, ten years ago now. And, um, I do all of the website and graphic design stuff that comes out of the graphic design department. I worked for a theater for about ten years before that...&quot ; Gaines discusses her current job, as the CIT Communications Manager at Oberlin College, and gives us a little bit of background about what she had done before getting her current job at Oberlin ten years ago. Cleveland ; Cleveland Careers ; Contemporary Careers ; Graphic Design ; Hungarian Immigrants ; Hungarian Immigration ; Oberlin ; Ohio ; Ohio economy ; Ohio Labor ; Roma ; Roma in Cleveland ; Rust Belt Oberlin College ; Romanies -- United States -- Social life and customs 17 1997 Becoming/Performing Identity &quot ; Do you find that, (coughs) when you're interacting with either family members that you have that are more closely connected to their Roma heritage or any, like, Roma in Cleveland that you've interacted with, that your affect changes at all or your way of speaking...do just, do you find yourself kind of like, trying to, I don't know, adapt more to what your conception of what would be a more relatable person?&quot ; &quot ; Absolutely. One of the most difficult things about going to talk to Norbert is that the class is a lot different. My grandparents grew up in fairly, what you would call poverty, they didn't have a whole lot of extra money and a lot of the folks on that side ended up sort of in the trades, um, Norbert did some construction work, his sons all did construction work, so definitely the ways I dress and speak and that sort of thing have that consciousness in them.&quot ; Gaines talks about class disparity between her and her Romani relatives, which shapes the way that she interacts with them. In particular, she raises the example of her uncle Norbert, who was in construction work ; when she interacts with him and his family, she is conscious about how she dresses and speaks. Becoming ; cleveland ; gypsy identity ; identity ; low income ; lower class ; performing class ; performing identity ; poverty ; roma ; roma identity class identity ; lower class ; Race identity ; Romanies -- United States -- Social life and customs 17 2067 The Roma vs Gypsy Question &quot ; I am, um, I'm wondering about your thoughts, so you said that you, going back to the Roma Gypsy sort of question, so you heard gypsy all growing up but only recently, semi-recently heard Roma, so what is your relationship to those words and how do you use them when you use them.&quot ; &quot ; I almost always choose Romani when I'm speaking to anyone who is outside my family because I don't want to encourage them to use the word gypsy, lest they aren't aware of the potential for that to be a slur&quot ; Gaines discusses how she differentiates between using &quot ; Gypsy&quot ; and &quot ; Romani.&quot ; While her father always casually used the term &quot ; Gypsy&quot ; in the household, she is careful to only use the term &quot ; Romani&quot ; when speaking to anyone outside of her family in order to discourage the usage of &quot ; Gypsy&quot ; among non-Romani people. Gypsy ; Hungarian Gypsy ; Hungarian Roma ; identity politics ; Racial slurs ; Roma ; Romani ; Slurs ; Terminology Hungarian Immigration ; Identity Politics ; Racial Slurs ; Reclaiming Slurs ; Terminology 17 2115 Music In Comparison To Cooking Traditions &quot ; Could you ever see piano being something akin to cooking, if cooking is one way of maybe applying traditions or is it different...&quot ; &quot ; Yeah maybe I should get Norbert to teach me some stuff..(laughs) yeah I think that that definitely could be a cultural component to the research. I just have such an interest in cooking...&quot ; Gaines discusses her love of cooking and how that has been part of her learning and identity-searching process. She compares cooking with piano as a way of applying Romani traditions to her daily life, and jokes that maybe she will have Norbert teach her some music traditions. cleveland gypsy ; cleveland roma ; Cooking ; Cultural Traditions ; Hungarian Cooking ; Hungarian Folk Music ; Music ; Roma traditions Family, religion, and culture ; Hungarian Background ; Musicians, Romani ; Romanies -- United States -- Social life and customs 17 2198 Class Differences Effecting Community Interactions &quot ; You mentioned kind of like class being, not a difference but barrier, but do you see that in the way that your dad interacts with his relatives?&quot ; &quot ; Yeah my dad can switch back and forth a lot easier because he grew up in a blue collar environment so he's a lot more comfortable in that environment.&quot ; She discusses her father's ability to switch between the white collar and blue collar family environments in the context of class acting as a barrier. baby boomers ; Class ; cleveland ; gypsy ; hungarian ; hungarian immigration ; Imposter Syndrome ; ohio ; roma ; white collar Class ; Class Performance ; Hungarian Immigration ; Imposter Syndrome ; Roma Class ; White Collar 17 2229 Shifts In Upbringing Generation to Generation &quot ; What do you think shifted in the generations, like with your dad's upbringing versus yours...&quot ; &quot ; Hmmm I don't know, I'd like to ask him that question, why he's only sort of coming to that now, um, you had mentioned that you thought maybe there was a cultural push towards, maybe, this, recently, so maybe it's that or maybe it's the ancestry.com commercials, I really don't know.&quot ; Gaines talks about generational differences specifically in terms of interest in Romani heritage between her and her father's generation. She mentions being curious about her father's recent curiosity towards his Romani heritage. cleveland ; generations ; gypsy ; hungarian ; roma ; upbringing Family, religion, and culture ; Genealogy ; Romanies -- United States -- Social life and customs 17 2278 Generational Disinterest in Roma Culture &quot ; We talked recently with another...forgot his name, the first person that we interviewed...&quot ; &quot ; Steve Biskor&quot ; &quot ; Piskor... and he expressed a lot of concern of a generation that had lost interest in his culture...I'm wondering if you feel any, like, responsibility to rekindle that, to put at ease people like Piskor who just yearn for this generation that he feels is lost.&quot ; &quot ; Absolutely, I wish that my extended cousins outside of Chris and my sisters would be more interested, I wish there were more young people interested...But does someone like Steve Biskor really want someone like me?&quot ; Gaines discusses general disinterest in Romani ancestry within her family. She talks about how she wishes that relatives in her generation cared more about the heritage but at the same time, voices concern about whether leaders in the Romani community like Steve Piskor would want someone distant from traditions to be part of the Romani community. Cultural Access ; Cultural responsibility ; Cultural Tradition ; Generation Disinterest ; Identity ; Roma ; Romani Culture Cultural Access ; Cultural responsibility ; Cultural Tradition ; Generation Disinterest ; Identity ; Roma ; Romani Culture 17 2348 Final Remarks (Sharing Recipes) &quot ; We have a couple of minutes left, is there anything else that you wanted to know or wanted to share...&quot ; &quot ; I did bring some recipes with me (class joyous), because I'm really interested in this idea of authenticity in food....&quot ; Gaines ends her remarks for the interview by sharing some of her recipes with the class. Authenticity ; chicken paprikash ; cuisine ; eastern europe ; eastern european cuisine ; food authenticity ; Gypsy cuisine ; gypsy food ; Hungarian Food ; Recipes ; Roma Food Authenticity ; Authenticity in food ; Eastern European Cuisine ; Food Waste ; Hungarian Food 17 audio 0 https://oberlincollegelibrary.org/ohms-viewer/render.php?cachefile= Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Title A name given to the resource Recordings Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Phyllis Jones Creator An entity primarily responsible for making the resource Kalman Lendvay and his Gypsy Orchestra Date A point or period of time associated with an event in the lifecycle of the resource 196_? Description An account of the resource Analog disc featuring performances of Gypsy music from Hungary Format The file format, physical medium, or dimensions of the resource 12" vinyl disc Identifier An unambiguous reference to the resource within a given context CSC_GBA_11 Fiesta Record Company FLP 1265 https://storiedpeople.oberlincollegelibrary.org/items/show/42 https://storiedpeople.oberlincollegelibrary.org/files/original/6ccae75eb39e95ed25769832c1756f5a.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/639348133aca61e6f646a9731937d95f.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/11a3abcea1c46bcc8ea88afc21a11e5c.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/c010234c9443a24c5caadf760c22cadd.jpg Language A language of the resource English Publisher An entity responsible for making the resource available Fiesta Record Company Subject The topic of the resource Romanies Music Folk music Hungary Title A name given to the resource I remember Hungary Type The nature or genre of the resource LP https://astoriedpeople.oberlincollegelibrary.org/files/original/68b15d2b60560ddf430fa4e44f74bfbb.jpg dda48e3e22abfb2ab6b952c6fdfad668 https://astoriedpeople.oberlincollegelibrary.org/files/original/24a0b75b8b27ec77b7f63961bff9d0ea.jpg 9421a86ae9c0280878b55a76d024812f https://astoriedpeople.oberlincollegelibrary.org/files/original/2746f93d77fa85c9cb38d862be93e0d2.jpg 4e3a3b5f273fc453a6faacb9d5bbefc5 https://astoriedpeople.oberlincollegelibrary.org/files/original/326c91f59e94869b9d45ffe72373a027.jpg 4a0eae25c8975cb809a9f538d0ccff92 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recordings Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Phyllis Jones Creator An entity primarily responsible for making the resource Lakatos Sándor és Cigány Zenekara Date A point or period of time associated with an event in the lifecycle of the resource 196_? Description An account of the resource Performances of Hungarian folk songs and czardas Format The file format, physical medium, or dimensions of the resource 12" vinyl disc Identifier An unambiguous reference to the resource within a given context CSC_GBA_13 Fiesta Record Company FLPS 1421 https://storiedpeople.oberlincollegelibrary.org/items/show/44 https://storiedpeople.oberlincollegelibrary.org/files/original/784428442e192aaf6453017f66bb3f6d.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/5c58622deddd2735922d565fadec0c5b.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/5d08a064daa6a6e64cdc64e6a227ec01.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/ee98b0487d5d6468c12c14e2e13852b8.jpg Language A language of the resource Hungarian English Publisher An entity responsible for making the resource available Fiesta Record Company Subject The topic of the resource Romanies Music Folk songs Hungary Czardas Title A name given to the resource Húzd rá Cigány! : Közkedvelt Magyar népdalok és cszárdások Type The nature or genre of the resource LP https://astoriedpeople.oberlincollegelibrary.org/files/original/d92684dcb7a46986bbd1efbb44e1978d.JPG 364a9cf65d60154991bb0e568bf70a24 https://astoriedpeople.oberlincollegelibrary.org/files/original/cd78bd268ed27b8dca94739f035cc6d7.JPG bd8279b83e714004587aee57705cf092 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sheet Music Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Emily Peterson Creator An entity primarily responsible for making the resource Various Composers Description An account of the resource A book containing sheet music for Hungarian songs written by various artists. Format The file format, physical medium, or dimensions of the resource Bound songbook. 32 pages ; 30 cm Identifier An unambiguous reference to the resource within a given context https://storiedpeople.oberlincollegelibrary.org/items/show/11 https://storiedpeople.oberlincollegelibrary.org/files/original/a6ee02573cc501305570d4391e79581f.JPG https://storiedpeople.oberlincollegelibrary.org/files/original/f99863cfd50a0f750bc6958952a691ae.JPG Language A language of the resource Hungarian Publisher An entity responsible for making the resource available Vértes Henrik "Allegro" Zenemükiadó Kiadása Rights Information about rights held in and over the resource Vertes Henrik "Allegro"; Muzsikaszó, Magyar; Bárd, Franz and Son; Hertzka Gyula, Harmonia; Kalpian, Nador; Aladtar, Banyay; Karoly, Lendrai Subject The topic of the resource Hungarian Songs Title A name given to the resource Hungarian Songs, Az Én Nótáim Type The nature or genre of the resource Print https://astoriedpeople.oberlincollegelibrary.org/files/original/68272017a78eba7f9490ba6066010900.JPG cb4c2b2df047884ef3c884c462c57e2e https://astoriedpeople.oberlincollegelibrary.org/files/original/0e4b0476c2ba61d3440b532db966e1f1.JPG 2f3fb586196a47156a7eef34d515b459 https://astoriedpeople.oberlincollegelibrary.org/files/original/a9d137cb1be7379cb44874d5b7432c2e.JPG 090ed0c713f58e0e8d50048b42180ed6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recordings Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Emily Peterson Creator An entity primarily responsible for making the resource István Balogh és Cigányzenekara (Gypsy Orchestra) Date A point or period of time associated with an event in the lifecycle of the resource 198_? Description An account of the resource This LP was published by the American record label Fiesta Record Company, located in New York City, and the music itself was recorded in Europe. Fiesta was started in 1952 by José Morand, a Latin American band leader. While Fiesta started by only publishing Latin music, it eventually branched out into a wide variety of "ethnic" music. The artists Fiesta presented were usually unknown in America, but would sometimes be famous in their home countries (Schreiber 76). "Hungarian Folk songs and Csàrdàses" is a part of the William G. Lockwood Romani Music Collection at the Michigan State University Library. The collection contains a wide variety of music, ranging from albums by Romani artists to song titles that contain the word “gypsy”. Spanish, Greek, Romanian, Russian, and (as with this LP) Hungarian Romani artists are all represented as well as artists from other countries (MSULibraries). The collection is a good example of the cross-national groupings that happen within the Roma community. “The importance of music as a measure and medium of displacement…increasingly occupies a place in musicological and ethnomusicological approaches to migration in postcolonial Europe. Displacement allows individuals and communities to express their connection to a particular place even when they are not residents of the places from which they draw their identity” (Bohlman 159). The Lockwood Collection brings together disparate musical artists who may see no connection to each other otherwise. Some Romani artists may even be offended to be included in a collection with “gypsy” music. But there is still power in the representation of this kind of music, no matter how loosely it is grouped together. Bibliography: Bohlman, Philip Vilas. The Music of European Nationalism: Cultural Identity and Modern History. ABC- CLIO, 2004. Schreiber, Norman. The Ultimate Guide to Independent Record Labels and Artists: an A-to-Z Source of Great Music. Pharos Books, 1992. MSU Libraries: William G. Lockwood Romani Music Collection. Discogs.com, MSULibraries, 2016 p. 1, www.discogs.com/lists/MSU-Libraries-William-G-Lockwood-Romani-Music Collection/281361?page=1, Accessed 4 Oct 2017. Format The file format, physical medium, or dimensions of the resource Physical record (12" vinyl disc) Identifier An unambiguous reference to the resource within a given context CSC_GBA_16 FLPS1397 https://storiedpeople.oberlincollegelibrary.org/items/show/19 https://storiedpeople.oberlincollegelibrary.org/files/original/2b45fab0da10cab8f5b0df52c7b29e88.JPG https://storiedpeople.oberlincollegelibrary.org/files/original/a6c6163fb7875132d765ee5a8ba29479.JPG https://storiedpeople.oberlincollegelibrary.org/files/original/9cc87c46eab899d62a5fbf7e67069b7d.JPG Language A language of the resource English Hungarian Publisher An entity responsible for making the resource available Fiesta Record Company, Inc. Subject The topic of the resource Folk songs, Hungarian Czardas Folk dance music Hungary Title A name given to the resource Hungarian Folk Songs and Csàrdàses Type The nature or genre of the resource LP https://astoriedpeople.oberlincollegelibrary.org/files/original/d1347f865515e31f497870789a63feda.jpg 18d3191e7f87c705b81a344f9d172ee9 https://astoriedpeople.oberlincollegelibrary.org/files/original/0fde4827596f6d32de040f4852bfd85d.jpg d66f7fcda6680dad72bf54061f65ab6b https://astoriedpeople.oberlincollegelibrary.org/files/original/c6d01a7cb96fb099cc4621f8a1cbea72.jpg 88c0f1dbb7cdc26666fae9ec9f4b935c https://astoriedpeople.oberlincollegelibrary.org/files/original/44837c518b57f16d98652d67ab25b877.jpg d2209b7c71a65fa991caccbcc52ee465 https://astoriedpeople.oberlincollegelibrary.org/files/original/ab67291407d2451284a1b17057880fa7.jpg a6deb6831a1df6dfcc3ddfb10f0b00f0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recordings Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Alex Chuang Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant International Series / Hungarian Creator An entity primarily responsible for making the resource Horváth, Elemér és Cigaányzenekara (Gypsy Orchestra) Date A point or period of time associated with an event in the lifecycle of the resource 195_? Description An account of the resource A vinyl record of Hungarian Folk Songs &amp; Csárdáses performed by Elemér Horváth and Gypsy Orchestra. Album cover is included. Tracklist Side A: ABLAKOMON BESUTÖTT AZ ESTI FÉNY (Moonlight on my window) AKÁR MERRE HAJTOM FEJEM (Anywhere I turn my head...) MANDULAFA, MANFULAFA (Almond tree, almond tree) ÉDESANYÁM LAÁNYA VAGYOK (I am my mother's daughter) KÉRGES A TENYEREM, A TENYEREM (My hands are rough) FA LESZEK, HA FÁNAK VAGY VÍRÁGA (I'll be a tree, if you are a flower) BICIKLI CSÁRDAS (Bicycle csardas) REPŰLJI FECSKÉM (Fly, my swallow) RÉGI DAL (The old song) MIÉRT IS JÕTTÉL ŰVEGES HINTÓBA? (Why did you come in a glass coach? HULLÁMMZÓ BALATON TETEJÉN... (On the waves of Lake Balaton) FRISS (Fast csardas) Side B: BIHARI KESERGÕ (Bihari lament) KORCSMÁROSNÉ MÉG EGY ICÉT (Barmaid, another drink! SZERETNEM HA JÕNNÉL KÉK KARTON RUHÁBA (Come to me in your blue cotton dress) JUHÁSZ KUTYÁK UGATNAK (The sheep dogs are barking) SOMBAT ESTE KIMENTEM A SZÕLLÕBE (Saturday night at the wineyard) A FALUBA NINCS TÕBB KISLANY CSAK KETTÕ (There are but two girls in the village) UGY NÉZ FEL A BUNÕS EMBER (He has a guilty look) PIROS CSAÁKOT KAPTAM (I have a red shako) FEKETE ÉJSZAKA BORULJ A VILÁGRA (Cover the world, dark night) ELMENT A LIDI NEÉNI (Aunt Lidi went away) HEJ DALÁRÉ, DALÁRÉ (Hey Delare, Delare) SZÁRAZ BABOT (I am cooking only dry bean for him) Format The file format, physical medium, or dimensions of the resource Vinyl record, Long Playing 33 1/3 RPM Identifier An unambiguous reference to the resource within a given context CSC_GBA_17 FLPS1469 https://storiedpeople.oberlincollegelibrary.org/items/show/21 https://storiedpeople.oberlincollegelibrary.org/files/original/d89ddcdc6b2e00f6dbcac26ee2b15b0c.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/1597d645f8fef9caaecbcdd567b9e1df.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/0f0be908d4b9ef1638e118c0f3c58e9b.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/f08143e6aaaa662808725dc615bf87ab.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/c29e22c2a890e68d664ccf4445c1949c.jpg Language A language of the resource Hungarian; Song titles provided in Hungarian and English Publisher An entity responsible for making the resource available Fiesta Record Company, Inc., 1619 Broadway, New York City, NY Subject The topic of the resource Romanies Music Folk songs, Hungarian Czardas Title A name given to the resource Hungarian Folk Songs & Csárdáses Type The nature or genre of the resource LP Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Related Resources and Donations Subject The topic of the resource Romani Music Description An account of the resource Monographs and edited volumes of relevance to materials in the Batyi Collection Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Holy Brotherhood: Romani Music in a Hungarian Pentecostal Church Subject The topic of the resource Romanies Music Description An account of the resource Monograph on Pentecostal worship music of Roma in Hungary Creator An entity primarily responsible for making the resource Barbara Rose Lange Source A related resource from which the described resource is derived obis.oberlin.edu/record=b2223487~S4 Publisher An entity responsible for making the resource available Oxford University Press Date A point or period of time associated with an event in the lifecycle of the resource 2003 Rights Information about rights held in and over the resource © Barbara Rose Lange Format The file format, physical medium, or dimensions of the resource Hardbound book; xiii, 205 p. : ill., music ; 25 cm Language A language of the resource English Identifier An unambiguous reference to the resource within a given context ML3151.H9 L36 2003 (Oberlin Library Call Number) https://astoriedpeople.oberlincollegelibrary.org/files/original/404cad296f1814d51784319b3f668c04.jpg cd5f4f6276940bca90fe130d25a12686 https://astoriedpeople.oberlincollegelibrary.org/files/original/f2f425da0db945a70b6a0d4b06137789.jpg fffd347507061098b53c29ca10ae28db https://astoriedpeople.oberlincollegelibrary.org/files/original/872ee50bc8c0059f4bda5b0076faa8dc.jpg 5ead1fc6d3d124ade891a1c7fd7ab9bf https://astoriedpeople.oberlincollegelibrary.org/files/original/c911db70bb0148c126634c6f94d87659.jpg dc83584b0c96b2006138c750ba5b0714 https://astoriedpeople.oberlincollegelibrary.org/files/original/70ebef46d53e5c1daae28190b584d8dc.jpg 86df13263e88b47c17f4a62d09d11bde https://astoriedpeople.oberlincollegelibrary.org/files/original/9e5df92a2c5db77bd5ce95405300f587.jpg 85a7f0cfd5b6127c6ec945e7b44823c1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sheet Music Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gabrielle 'Teddy' Ment Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Hungarian Folk Music Creator An entity primarily responsible for making the resource various artists translated to German by Imre Ormay Date A point or period of time associated with an event in the lifecycle of the resource 1956 Description An account of the resource énekhangra, zongorakîséttel (Hungarian) [singing, with piano] Format The file format, physical medium, or dimensions of the resource Sheet music. 51 pages ; 31 cm Identifier An unambiguous reference to the resource within a given context https://storiedpeople.oberlincollegelibrary.org/items/show/20 https://storiedpeople.oberlincollegelibrary.org/files/original/014c8d3124e0d44cbd54b730ac2066e1.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/772063734edd86c197b8640de6046eb8.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/3b9d78590f7f2c57b076c84d3652eb5f.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/60291302d85707a1f7691e775521775a.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/e4231743c7da7e24ab93b6cf004b3960.jpg https://storiedpeople.oberlincollegelibrary.org/files/original/e4c92dd56f1311f6c005084be3ea2793.jpg Language A language of the resource Hungarian German Publisher An entity responsible for making the resource available Zenemûkiadó Véllalat, Budapest Subject The topic of the resource Magyar Dalok (Hungarian) [Hungarian Songs] Title A name given to the resource Jaj, de Szépen Muzsikálnak (Hungarian) [Hey, they are beautiful musicians] Hei, Wie Schön die Geigen Klingen (German) [Oh, how beautifully the violins play] Type The nature or genre of the resource Print https://astoriedpeople.oberlincollegelibrary.org/files/original/28488df572843b640390e751cc69f13d.png 55c075eca95ca308d5de41858a924cd3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recordings Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Elia Tzoukermann Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1923-1972 Creator An entity primarily responsible for making the resource Various artists Date A point or period of time associated with an event in the lifecycle of the resource 2013 Description An account of the resource Gypsy violin music by American Hungarian-Slovak Gypsies Format The file format, physical medium, or dimensions of the resource CD Identifier An unambiguous reference to the resource within a given context CSC_GBA_23 https://storiedpeople.oberlincollegelibrary.org/items/show/10 https://storiedpeople.oberlincollegelibrary.org/files/original/5ba17f14457b0d600c4629afeb1b5516.png Language A language of the resource English Text on CD Publisher An entity responsible for making the resource available Self-published Rights Information about rights held in and over the resource Copyright 2013 Source A related resource from which the described resource is derived Book: Gypsy Violins by Steve Piskor Subject The topic of the resource Romanies Music Title A name given to the resource Gypsy Violins: Hungarian-Slovak Gypsies In America (CD) Type The nature or genre of the resource CD https://astoriedpeople.oberlincollegelibrary.org/files/original/d47ed86e47b0b3315ed9a50468dfe676.JPG b8c0ea881bfd631d1b758384b978021f https://astoriedpeople.oberlincollegelibrary.org/files/original/8c66c77fec7e4ba6f722643cbd0c5ba4.JPG bd8ba25ccf2c176a27f648195f67080a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Related Resources and Donations Subject The topic of the resource Romani Music Description An account of the resource Monographs and edited volumes of relevance to materials in the Batyi Collection Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gypsy Violins: Hungarian-Slovak Gypsies in America (book) Subject The topic of the resource Romanies music Description An account of the resource Monograph on the history of Roma-Gypsy violin and cimbalom bands in the United States (donated to the Conservatory Library circulating collection by Steve Piskor) Creator An entity primarily responsible for making the resource Steve Piskor Source A related resource from which the described resource is derived http://obis.oberlin.edu/record=b6921126~S4 Publisher An entity responsible for making the resource available Saroma (Cleveland, Ohio) Date A point or period of time associated with an event in the lifecycle of the resource 2012 Contributor An entity responsible for making contributions to the resource Ian MacMillen Rights Information about rights held in and over the resource © Steve Piskor Relation A related resource https://astoriedpeople.oberlincollegelibrary.org/items/show/39 https://astoriedpeople.oberlincollegelibrary.org/items/show/40 Format The file format, physical medium, or dimensions of the resource Softbound book, xxii, 221 pages : illustrations, maps, portraits, facsimiles ; 23 cm Language A language of the resource English Identifier An unambiguous reference to the resource within a given context DX201 .P575 2010 (Oberlin Library Call Number) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 20th century